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REACTION: Electric Fields - 'One Milkali (One Blood)' | AUSTRALIA Eurovision 2024

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    Previously on the Novympia channel:
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    You're freaking me out.
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    - We're women in STEM.
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    It's a good hook.
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    (stifled burp)
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    (Nova) Oh.
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    I find you very rude.
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    Cue the snafu!
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    Ah, g'day.
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    Yes, hello, bloody hell, yes.
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    Welcome to another
    Novympia Eurovision reaction video.
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    My name is Nova.
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    Yeah, and I'm Olympia.
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    - Today we are dressed like chicks.
    - Yeah.
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    Sometimes that happens 'round here.
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    - Sometimes. Sorry 'bout it.
    - Mm, meant to tell you about that.
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    Today we are reacting
    to Australia's entry for Eurovision 2024.
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    "Oh my god!"
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    Why are they even in it,
    they're not even in Europe (laughs)
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    Joking, I'm joking.
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    I would just like to say that
    Olympia is actually not Australian.
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    "So you're a liar.
    Not only are you fake, you're a liar.
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    There you go. Ba-boom."
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    - I'm not Australian, no.
    - That is a lie.
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    Ah, yes, no I am.
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    And also, how lovely
    to react to my home nation today.
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    She's a liar.
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    Yes.
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    And a fraudster.
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    Also, just very very quickly,
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    because I know good goddamn well
    there will be comments,
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    Australia, yes they're not in Europe.
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    They were invited to take part
    in Eurovision in 2015
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    as a bit of a milestone celebration
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    'cause they'd broadcast Eurovision
    for years and years.
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    And then they were like,
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    well we're already in it,
    we might as well stay in it.
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    There are several countries in Eurovision
    not in Europe, but they are in the EBU.
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    The requirement is that you are a member
    of the European Broadcasting Union,
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    and Australia now are.
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    So they're in it,
    and I love that they're in it,
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    and we're not gonna talk
    about it any more.
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    Now, who is representing Australia
    for 2024, Nova?
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    Are they called Electric Fields?
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    So, Electric Fields are a duo.
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    It's electronic music,
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    and I know that the one artist
    is called Zaachariaha.
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    I can't remember
    the name of the other one.
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    What I do know is that
    Electric Fields participated
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    in Australia's national final,
    which they haven't had now
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    for a couple of years,
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    but they did have one
    called Australia Decides.
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    - And they entered into...
    - It was real good.
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    I want to say it was 2019
    with a song called "2000 And Whatever".
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    So we are aware of Electric Fields,
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    and in particular,
    the vocalist Zaachariaha,
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    who is an Indigenous artist,
    nonbinary artist,
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    has a killer voice.
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    The charisma that exudes
    when they're onstage
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    A really infectious stage presence.
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    And the vocal is insane.
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    So, we have heard the song
    they're submitting this year.
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    We have, I'm also glad
    that we're not doing a blind reaction.
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    I know a lot of you guys
    prefer a blind reaction,
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    but sometimes I think it is best
    for us to listen to a song a few times,
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    do a little bit of research,
    and just sit with it.
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    Because my initial reaction to this
    probably wouldn't have been
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    as positive or as strong
    as the feelings I have for it now.
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    Yes, and some of the songs
    we have reacted to blindly,
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    some we've milled over for a while,
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    so throughout the whole playlist
    of reaction videos for this year,
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    there's a bit of a mixed bag in there.
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    But we thought
    "2000 And Whatever" was sick,
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    I think that would've been
    an excellent entry for Australia.
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    Let's watch this one if you're ready to.
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    Yeah.
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    And we'll talk about how we feel
    like this is gonna go for them.
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    So the song is called "One Milkali",
    which translates to "one blood".
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    ♪ ("One Milkali" by Electric Fields) ♪
    I will say, straight off the bat,
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    that this is a "music video",
    if you can call it that.
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    This is a lyric video.
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    - So interestingly,
    - Let's be real.
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    the Eurovision channel
    called it "official video".
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    On their channel,
    it's called a lyric video.
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    Is it? Okay, interesting.
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    Hang on, let's just pause it.
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    I've said this before, though,
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    Eurovision has a way of defining
    how it uploads its videos,
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    either as "Official Music Video"
    or "National Final Performance".
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    They're very binary like that,
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    they don't come up
    with anything in between.
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    So they've called this
    "Official Music Video"
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    It's not a music video!
    It literally isn't.
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    They're just sitting there...
    it's a lyric video.
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    Okay, okay.
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    So this doesn't give away
    anything, does it?
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    Okay.
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    Okay so we've got--
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    This is the bit where I feel like
    it starts to get going.
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    There's literally a digeridoo in this,
    which, I'm obsessed with that,
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    I love that element.
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    So it's very easy listening.
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    (both singing) Milkali la, milkali.
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    When I first saw this,
    I was a bit disappointed,
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    Because again, we're provided
    with this visual which looks
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    incredibly low-budget and very simple,
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    and I was a bit disappointed with that.
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    I also didn't initially react very well
    to the song, but now I think it's a vibe.
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    Yeah, I'm not in love with like,
    a message song.
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    They tend to be sometimes
    very kind of like, I don't know,
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    feed the world, or save the Earth,
    or we're all one voice, or whatever.
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    They tend to be sometimes,
    a little bit like, an eyeroll.
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    So the idea is like, we are one blood,
    we are one kind of like, human,
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    and therefore,
    we should celebrate our differences
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    rather than be divisive about it.
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    So, it's a very straightforward message.
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    I don't think they tend
    to do very well at Eurovision though,
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    I feel like that's something
    that people are gonna resist about it.
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    I don't like the lyrics.
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    Some of the lyrics are a little...
    perhaps a bit clunky.
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    I don't even know if it's clunky,
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    I just... maybe it's just me
    being a miserable sod,
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    but it's kind of a bit too happy for me,
    and I want a bit more of an edge to it.
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    And maybe the edge is that
    this is a queer couple
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    and that's kind of lost on us,
    being queer.
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    I don't know if they are a couple.
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    They just went in for a kiss.
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    So? I kiss Char all the time,
    what's your point?
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    (laughs)
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    The thing is, okay-
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    The thing that disappoints me-
    or, it's not even disappointing,
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    but knowing the performance that
    Zaachariaha gives consistently onstage,
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    and the vocal,
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    it's difficult to know exactly
    quite how impressive
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    and how much of a show this is gonna be,
    just based on the studio recording.
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    It's not very much to go off, is it?
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    I think a lot of people
    have written this off,
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    but would be foolish to.
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    Because I think this is going to be-
    I mean, the production on this is lovely.
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    It's not, like,
    the most fresh-sounding thing.
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    There are a few elements
    that make it a bit dated in my opinion.
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    It's very retro, I would say.
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    It sounds a little bit... I don't know,
    there's a few kind of like house elements,
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    or things that are a bit...
    not necessarily too fresh.
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    I hate that that was the way
    the song was introduced.
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    You'd rather nothing?
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    I would really have preferred
    a live performance,
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    and I find it odd that
    they couldn't have scrambled together
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    to put a live performance together.
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    Even if it was then
    dubbed with the studio cut,
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    like, I think that would've been
    more pleasing to look at.
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    I think this automatically
    makes people go like, no budget, er...
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    It does feel a bit weird.
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    I don't know.
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    Perhaps they're just biding their time
    and when it's done live,
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    it is gonna be a show.
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    If you go and watch
    "2000 And Whatever"-
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    I mean, I can't undersell
    how impressive Zaachariaha's vocal is.
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    I much preferred that song, I have to say.
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    And their style of performing
    is just very, very impressive,
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    and it's like a party starting
    kind of like, I don't know.
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    It just turns everything into like,
    an arena, almost, feeling.
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    'cause it is just like, very impactful.
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    I like the point of view,
    I like that these are queer artists,
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    Zaachariaha's a nonbinary artist,
    I like the Indigenous elements to this,
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    the digeridoo is sick,
    the intention is strong,
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    and the performance is strong.
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    We've got some
    Indigenous language as well.
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    I love that, especially from Australia.
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    I don't believe we've had that
    from Australia before.
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    Correct me if I'm wrong.
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    I'm not sure.
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    So I love everything about that.
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    I just wonder if the message angle
    about it is a little...
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    some of the lyrics, yeah,
    they are a little bit trite.
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    Again, it might just be me being
    super cynical and being miserable,
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    but I do almost do a bit
    of an eyeroll at some of this.
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    Just because I feel like
    it's so positive,
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    and it's so happy and feel-good.
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    And that's fantastic,
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    and a lot of people need
    and want this kind of music,
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    but for me, I would just like
    a bit of an edge somewhere.
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    I feel like I'm almost getting that
    in the production.
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    Some of the the production
    has elements that I'm like,
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    ooh, that's a nice little twist,
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    but ultimately,
    it's just a bit too feel-good.
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    It almost borders on cliché to me,
    and that's where I personally resist it.
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    It's- I think this is one
    of the bigger question marks
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    of the season, in the sense that
    we really just don't know
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    how this is gonna play out onstage.
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    The other thing is, in terms of what
    we've been given with this studio cut,
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    It's nice, I mean,
    we thought it was lovely,
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    we will listen to it,
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    but is it going to translate to the stage
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    the way that we want it to
    and hope that it will?
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    It's a question mark.
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    The video's not really giving
    anything either.
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    I've seen a lot of comparisons
    to Belgium last year with Gustaph.
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    I actually really responded well to that
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    - I feel like people described that
    - I hated that song (laughs)
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    as a surprise qualify.
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    I was not surprised to see that qualify.
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    I liked the song,
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    and it was staged
    and performed really well.
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    But that to me was more of a dance track.
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    It was- I had that kind of access to it,
    that it was a dance track.
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    - This, you can dance to it.
    - It's more mellow.
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    But yes, it's a bit more mid-tempo.
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    It's more mellow, I don't think
    it's gonna lean that dancey.
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    If this had a faster tempo,
    maybe that would draw me in,
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    I don't know, I can only speak
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    on my own personal opinions
    and feelings with this.
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    It's just there's something about this
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    that doesn't quite resonate
    with me completely.
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    Yes, I think that it has
    every respectable quality to it
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    where it should qualify,
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    and might well qualify
    based on the performance alone,
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    which I'm guessing - a lot of this
    is obviously guesswork.
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    But is it actually going to?
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    It's hard to say at this point.
    Don't know. Just don't know.
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    Who is it up against?
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    Um- (strained mumbling)
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    So, I don't know.
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    It is kind of mid-tempo,
    it is kind of mellow.
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    It is going up against Finland's,
    which is obviously very like
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    (low gasp)
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    (scream)
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    Um, it's going up against Slovenia
    and Portugal.
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    Ah, there's a quality to them that... ugh.
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    I don't think there's anything,
    directly comparable to this.
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    It's in the second half
    of the first ceremony, a nice slot, but-
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    Will people pick up the phone for this?
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    It really is dependent
    on the live performance.
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    It's so dependent on the live.
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    Which again, I've said all along,
    is probably gonna be sensational and--
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    I also think, though,
    that a good live performance
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    is not gonna be good enough,
    it has to be staged well.
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    Staging has become so integral
    to Eurovision, especially this year
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    where the standard is so high.
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    I think a lot of great acts
    and great performances
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    are going to be set apart
    by how they're staged.
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    Yeah, it's very very hard to know.
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    I don't think I'd put this
    particularly high,
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    it's sort of very comfortably
    in the middle of the pack for me,
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    which I suspect will change
    once I see a live performance of it.
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    It's such a question mark, I don't know.
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    I have ranked this fairly low.
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    I've got this 30th.
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    (Olympia) That is low.
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    And that's not to say I don't like it,
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    but I don't think I would choose
    to put this on.
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    Again, that's just a me thing.
    I think this is a good song.
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    There's a lot to like about it,
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    and I'm happy that we're seeing
    artists like this.
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    But, I don't know,
    I prefer "2000 And Whatever".
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    Yeah, it's not a skip,
    I think that's the thing.
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    It's not necessarily a skip.
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    It's not a skip, no.
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    Um, I've got it 26th,
    but I don't know, I might have to...
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    Maybe it'll be slightly higher...
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    (Nova) And we've said before
    that our rankings will change
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    as we see rehearsal footage,
    as we see pre-party footage
  • 11:45 - 11:47
    as we get a better idea
    as to how these artists
  • 11:47 - 11:49
    are bringing these songs to Malmö.
  • 11:49 - 11:51
    At the moment,
    everything's hypothetical,
  • 11:51 - 11:53
    we're just going off potential.
  • 11:53 - 11:54
    It always is.
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    I think there's maybe like,
    five or so left for us to do,
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    and we have already gone past the point
    where it is now so difficult to know
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    what's gonna qualify,
    even with songs yet to...
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    or, in our timeline
    when we're doing this now,
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    I think there's only one left
    to be revealed.
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    - Armenia might be the last one.
    - Yes.
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    But Armenia, better fucking hope
    it's a banger, because (laughs)
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    It's so hard, like,
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    we're starting to look
    at our prediction for qualification,
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    and it is absolutely stacked.
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    I actually think the second semifinal
    might be more difficult to predict
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    than the first.
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    But yeah, it's an absolute sort of
    mindfuck currently.
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    Those videos that we're gonna do
    will be available
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    only exclusively on Patreon.
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    Nova, isn't that right?
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    Yes. Yes, yes, yes.
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    We've also got the Discord over there,
    there's my podcast, all that good stuff.
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    The address for that will be arriving
    onscreen just now.
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    (vocalising to the tune
    of "One Milkali" by Electric Fields)
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    ♪ "Whatcha gonna do with all that ass?" ♪
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    It's a good hook.
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    (stifled burp)
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    (Nova) Oh.
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    I'm s- I'd like to apologise.
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    Right.
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    Can't confirm which end that came out of.
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    "My dr- my dress was probably just tight."
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    I also wanna say that before people ask us
    where these videos are,
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    we are now towards the end
    of reviewing the Eurovision entries,
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    and we have decided we are not covering
    a few countries for various reasons.
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    A lot of people have asked,
    "where's Luxembourg?"
  • 13:17 - 13:20
    We have touched on that
    in the last review,
  • 13:20 - 13:22
    and answered in the comments before.
  • 13:22 - 13:25
    There are things surrounding
    the Luxembourg entry
  • 13:25 - 13:28
    that we don't feel comfortable
    with covering it.
  • 13:28 - 13:31
    We've tried not to go
    into too much detail,
  • 13:31 - 13:34
    'cause a lot of it is speculation,
    and doesn't have hard evidence.
  • 13:34 - 13:36
    But we don't feel comfortable
    with that entry.
  • 13:36 - 13:37
    Something's not right there.
  • 13:37 - 13:40
    We also don't like the song,
    so it's been a very easy decision.
  • 13:40 - 13:41
    We're not touching that.
  • 13:41 - 13:44
    We're not gonna cover Israel,
    for obvious reasons.
  • 13:44 - 13:47
    We're not gonna cover Azerbaijan,
    for obvious reasons.
  • 13:47 - 13:51
    We've more recently decided
    we're not going to be reacting to Iceland.
  • 13:51 - 13:53
    That song we do not rate.
  • 13:53 - 13:57
    Nothing against Hera personally
    whatsoever,
  • 13:57 - 14:00
    - not a bad word to say about the woman.
    - That whole situation is so dumb.
  • 14:00 - 14:04
    But we do not like that song,
    I think that was a ridiculous song.
  • 14:04 - 14:07
    We believe that that became selected
  • 14:07 - 14:10
    through really, really suspicious
    nefarious means.
  • 14:10 - 14:12
    Don't like it. Won't be covering it.
  • 14:12 - 14:13
    Not doing it.
  • 14:13 - 14:16
    So just to put that out there,
    won't be covering those entries.
  • 14:16 - 14:19
    Uh, but there's a couple left to do,
    we will be doing Sweden,
  • 14:19 - 14:22
    we will be doing Georgia,
    we will be doing Armenia, I believe.
  • 14:22 - 14:23
    There might be-
    oh, and Portugal.
  • 14:23 - 14:24
    Portugal, yeah.
  • 14:24 - 14:25
    That might be it.
  • 14:25 - 14:27
    - Stick around, subscribe--
    - Greece.
  • 14:27 - 14:29
    Oh and Greece, of course,
    how did we forget?
  • 14:29 - 14:32
    Stick around, feel free to subscribe
    if you are new here and you haven't.
  • 14:32 - 14:33
    Just, you know, click it.
  • 14:33 - 14:36
    You can if you like,
    I'm not gonna force you to.
  • 14:36 - 14:37
    (laughs)
  • 14:37 - 14:39
    Won't show up at your house or anything.
  • 14:39 - 14:40
    - I will.
    - "Oh my god."
  • 14:40 - 14:42
    And we also have a Twitch,
    join us for game night.
  • 14:42 - 14:43
    Why not?
  • 14:43 - 14:44
    (singing) Game night.
  • 14:44 - 14:48
    Oh, I did a new song in the last one,
    and I can't remember what it is now.
  • 14:48 - 14:50
    (snapping fingers)
    Join us over on Twitch,
  • 14:50 - 14:51
    (singing) we're playing games.
  • 14:51 - 14:53
    I don't think it was that.
  • 14:53 - 14:59
    I should represent the UK or Australia
    with "Join us and we'll play some games".
  • 14:59 - 15:02
    I don't think that would get
    any points, darlin'.
  • 15:02 - 15:03
    Sorry.
  • 15:03 - 15:05
    ♪ ("Legendary Creature"
    by Novympia begins) ♪
  • 15:05 - 15:11
    (Nova) And a 'Anyone for Jarrah?'
    to our newest patrons, Nai and Coraline.
  • 15:12 - 15:15
    What would you sing to represent the UK?
  • 15:15 - 15:16
    On the spot, now. What's the song?
  • 15:16 - 15:21
    (singing) I'm here, singing my song.
  • 15:21 - 15:23
    Oh, you gotta be fucking kidding me.
  • 15:23 - 15:26
    (singing) Join the Patrón,
    we'll do a shot of Patrón.
  • 15:26 - 15:32
    ♪ ("Legendary Creature" by Novympia) ♪
Title:
REACTION: Electric Fields - 'One Milkali (One Blood)' | AUSTRALIA Eurovision 2024
Description:

more » « less
Video Language:
English, British
Team:
Captions Requested
Duration:
15:32

English subtitles

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