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Previously on the Novympia channel:
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You're freaking me out.
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- We're women in STEM.
- We're not women in STEM,
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we don't even know what it means!
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And coming up:
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It's a good hook.
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(stifled burp)
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(Nova) Oh.
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I find you very rude.
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(laughter)
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The Novympia channel is made possible
by our gorgeous patrons,
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who get access to
the most unappealing crap
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you'll find anywhere
on the whole internet.
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Cue the snafu!
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Ah, g'day.
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Yes, hello, bloody hell, yes.
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Welcome to another
Novympia Eurovision reaction video.
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My name is Nova.
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Yeah, and I'm Olympia.
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- Today we are dressed like chicks.
- Yeah.
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Sometimes that happens 'round here.
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- Sometimes. Sorry 'bout it.
- Mm, meant to tell you about that.
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Today we are reacting
to Australia's entry for Eurovision 2024.
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"Oh my god!"
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Why are they even in it,
they're not even in Europe (laughs)
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Joking, I'm joking.
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I would just like to say that
Olympia is actually not Australian.
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"So you're a liar.
Not only are you fake, you're a liar.
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There you go. Ba-boom."
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- I'm not Australian, no.
- That is a lie.
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Ah, yes, no I am.
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And also, how lovely
to react to my home nation today.
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She's a liar.
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Yes.
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And a fraudster.
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Also, just very very quickly,
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because I know good goddamn well
there will be comments,
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Australia, yes they're not in Europe.
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They were invited to take part
in Eurovision in 2015
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as a bit of a milestone celebration
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'cause they'd broadcast Eurovision
for years and years.
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And then they were like,
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well we're already in it,
we might as well stay in it.
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There are several countries in Eurovision
not in Europe, but they are in the EBU.
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The requirement is that you are a member
of the European Broadcasting Union,
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and Australia now are.
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So they're in it,
and I love that they're in it,
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and we're not gonna talk
about it any more.
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Now, who is representing Australia
for 2024, Nova?
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Are they called Electric Fields?
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So, Electric Fields are a duo.
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It's electronic music,
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and I know that the one artist
is called Zaachariaha.
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I can't remember
the name of the other one.
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What I do know is that
Electric Fields participated
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in Australia's national final,
which they haven't had now
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for a couple of years,
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but they did have one
called Australia Decides.
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- And they entered into...
- It was real good.
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I want to say it was 2019
with a song called "2000 And Whatever".
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So we are aware of Electric Fields,
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and in particular,
the vocalist Zaachariaha,
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who is an Indigenous artist,
nonbinary artist,
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has a killer voice.
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The charisma that exudes
when they're onstage
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A really infectious stage presence.
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And the vocal is insane.
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So, we have heard the song
they're submitting this year.
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We have, I'm also glad
that we're not doing a blind reaction.
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I know a lot of you guys
prefer a blind reaction,
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but sometimes I think it is best
for us to listen to a song a few times,
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do a little bit of research,
and just sit with it.
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Because my initial reaction to this
probably wouldn't have been
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as positive or as strong
as the feelings I have for it now.
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Yes, and some of the songs
we have reacted to blindly,
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some we've milled over for a while,
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so throughout the whole playlist
of reaction videos for this year,
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there's a bit of a mixed bag in there.
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But we thought
"2000 And Whatever" was sick,
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I think that would've been
an excellent entry for Australia.
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Let's watch this one if you're ready to.
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Yeah.
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And we'll talk about how we feel
like this is gonna go for them.
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So the song is called "One Milkali",
which translates to "one blood".
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♪ ("One Milkali" by Electric Fields) ♪
I will say, straight off the bat,
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that this is a "music video",
if you can call it that.
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This is a lyric video.
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- So interestingly,
- Let's be real.
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the Eurovision channel
called it "official video".
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On their channel,
it's called a lyric video.
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Is it? Okay, interesting.
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Hang on, let's just pause it.
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I've said this before, though,
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Eurovision has a way of defining
how it uploads its videos,
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either as "Official Music Video"
or "National Final Performance".
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They're very binary like that,
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they don't come up
with anything in between.
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So they've called this
"Official Music Video"
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It's not a music video!
It literally isn't.
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They're just sitting there...
it's a lyric video.
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Okay, okay.
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So this doesn't give away
anything, does it?
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Okay.
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Okay so we've got--
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This is the bit where I feel like
it starts to get going.
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There's literally a digeridoo in this,
which, I'm obsessed with that,
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I love that element.
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So it's very easy listening.
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(both singing) Milkali la, milkali.
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When I first saw this,
I was a bit disappointed,
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Because again, we're provided
with this visual which looks
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incredibly low-budget and very simple,
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and I was a bit disappointed with that.
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I also didn't initially react very well
to the song, but now I think it's a vibe.
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Yeah, I'm not in love with like,
a message song.
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They tend to be sometimes
very kind of like, I don't know,
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feed the world, or save the Earth,
or we're all one voice, or whatever.
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They tend to be sometimes,
a little bit like, an eyeroll.
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So the idea is like, we are one blood,
we are one kind of like, human,
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and therefore,
we should celebrate our differences
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rather than be divisive about it.
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So, it's a very straightforward message.
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I don't think they tend
to do very well at Eurovision though,
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I feel like that's something
that people are gonna resist about it.
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I don't like the lyrics.
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Some of the lyrics are a little...
perhaps a bit clunky.
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I don't even know if it's clunky,
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I just... maybe it's just me
being a miserable sod,
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but it's kind of a bit too happy for me,
and I want a bit more of an edge to it.
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And maybe the edge is that
this is a queer couple
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and that's kind of lost on us,
being queer.
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I don't know if they are a couple.
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They just went in for a kiss.
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So? I kiss Char all the time,
what's your point?
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(laughs)
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The thing is, okay-
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The thing that disappoints me-
or, it's not even disappointing,
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but knowing the performance that
Zaachariaha gives consistently onstage,
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and the vocal,
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it's difficult to know exactly
quite how impressive
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and how much of a show this is gonna be,
just based on the studio recording.
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It's not very much to go off, is it?
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I think a lot of people
have written this off,
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but would be foolish to.
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Because I think this is going to be-
I mean, the production on this is lovely.
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It's not, like,
the most fresh-sounding thing.
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There are a few elements
that make it a bit dated in my opinion.
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It's very retro, I would say.
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It sounds a little bit... I don't know,
there's a few kind of like house elements,
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or things that are a bit...
not necessarily too fresh.
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I hate that that was the way
the song was introduced.
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You'd rather nothing?
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I would really have preferred
a live performance,
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and I find it odd that
they couldn't have scrambled together
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to put a live performance together.
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Even if it was then
dubbed with the studio cut,
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like, I think that would've been
more pleasing to look at.
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I think this automatically
makes people go like, no budget, er...
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It does feel a bit weird.
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I don't know.
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Perhaps they're just biding their time
and when it's done live,
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it is gonna be a show.
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If you go and watch
"2000 And Whatever"-
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I mean, I can't undersell
how impressive Zaachariaha's vocal is.
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I much preferred that song, I have to say.
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And their style of performing
is just very, very impressive,
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and it's like a party starting
kind of like, I don't know.
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It just turns everything into like,
an arena, almost, feeling.
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'cause it is just like, very impactful.
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I like the point of view,
I like that these are queer artists,
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Zaachariaha's a nonbinary artist,
I like the Indigenous elements to this,
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the digeridoo is sick,
the intention is strong,
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and the performance is strong.
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We've got some
Indigenous language as well.
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I love that, especially from Australia.
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I don't believe we've had that
from Australia before.
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Correct me if I'm wrong.
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I'm not sure.
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So I love everything about that.
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I just wonder if the message angle
about it is a little...
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some of the lyrics, yeah,
they are a little bit trite.
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Again, it might just be me being
super cynical and being miserable,
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but I do almost do a bit
of an eyeroll at some of this.
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Just because I feel like
it's so positive,
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and it's so happy and feel-good.
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And that's fantastic,
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and a lot of people need
and want this kind of music,
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but for me, I would just like
a bit of an edge somewhere.
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I feel like I'm almost getting that
in the production.
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Some of the the production
has elements that I'm like,
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ooh, that's a nice little twist,
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but ultimately,
it's just a bit too feel-good.
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It almost borders on cliché to me,
and that's where I personally resist it.
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It's- I think this is one
of the bigger question marks
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of the season, in the sense that
we really just don't know
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how this is gonna play out onstage.
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The other thing is, in terms of what
we've been given with this studio cut,
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It's nice, I mean,
we thought it was lovely,
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we will listen to it,
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but is it going to translate to the stage
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the way that we want it to
and hope that it will?
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It's a question mark.
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The video's not really giving
anything either.
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I've seen a lot of comparisons
to Belgium last year with Gustaph.
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I actually really responded well to that
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- I feel like people described that
- I hated that song (laughs)
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as a surprise qualify.
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I was not surprised to see that qualify.
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I liked the song,
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and it was staged
and performed really well.
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But that to me was more of a dance track.
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It was- I had that kind of access to it,
that it was a dance track.
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- This, you can dance to it.
- It's more mellow.
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But yes, it's a bit more mid-tempo.
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It's more mellow, I don't think
it's gonna lean that dancey.
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If this had a faster tempo,
maybe that would draw me in,
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I don't know, I can only speak
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on my own personal opinions
and feelings with this.
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It's just there's something about this
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that doesn't quite resonate
with me completely.
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Yes, I think that it has
every respectable quality to it
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where it should qualify,
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and might well qualify
based on the performance alone,
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which I'm guessing - a lot of this
is obviously guesswork.
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But is it actually going to?
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It's hard to say at this point.
Don't know. Just don't know.
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Who is it up against?
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Um- (strained mumbling)
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So, I don't know.
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It is kind of mid-tempo,
it is kind of mellow.
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It is going up against Finland's,
which is obviously very like
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(low gasp)
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(scream)
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Um, it's going up against Slovenia
and Portugal.
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Ah, there's a quality to them that... ugh.
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I don't think there's anything,
directly comparable to this.
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It's in the second half
of the first ceremony, a nice slot, but-
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Will people pick up the phone for this?
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It really is dependent
on the live performance.
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It's so dependent on the live.
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Which again, I've said all along,
is probably gonna be sensational and--
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I also think, though,
that a good live performance
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is not gonna be good enough,
it has to be staged well.
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Staging has become so integral
to Eurovision, especially this year
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where the standard is so high.
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I think a lot of great acts
and great performances
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are going to be set apart
by how they're staged.
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Yeah, it's very very hard to know.
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I don't think I'd put this
particularly high,
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it's sort of very comfortably
in the middle of the pack for me,
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which I suspect will change
once I see a live performance of it.
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It's such a question mark, I don't know.
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I have ranked this fairly low.
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I've got this 30th.
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(Olympia) That is low.
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And that's not to say I don't like it,
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but I don't think I would choose
to put this on.
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Again, that's just a me thing.
I think this is a good song.
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There's a lot to like about it,
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and I'm happy that we're seeing
artists like this.
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But, I don't know,
I prefer "2000 And Whatever".
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Yeah, it's not a skip,
I think that's the thing.
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It's not necessarily a skip.
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It's not a skip, no.
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Um, I've got it 26th,
but I don't know, I might have to...
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Maybe it'll be slightly higher...
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(Nova) And we've said before
that our rankings will change
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as we see rehearsal footage,
as we see pre-party footage
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as we get a better idea
as to how these artists
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are bringing these songs to Malmö.
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At the moment,
everything's hypothetical,
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we're just going off potential.
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It always is.
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I think there's maybe like,
five or so left for us to do,
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and we have already gone past the point
where it is now so difficult to know
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what's gonna qualify,
even with songs yet to...
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or, in our timeline
when we're doing this now,
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I think there's only one left
to be revealed.
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- Armenia might be the last one.
- Yes.
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But Armenia, better fucking hope
it's a banger, because (laughs)
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It's so hard, like,
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we're starting to look
at our prediction for qualification,
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and it is absolutely stacked.
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I actually think the second semifinal
might be more difficult to predict
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than the first.
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But yeah, it's an absolute sort of
mindfuck currently.
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Those videos that we're gonna do
will be available
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only exclusively on Patreon.
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Nova, isn't that right?
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Yes. Yes, yes, yes.
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We've also got the Discord over there,
there's my podcast, all that good stuff.
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The address for that will be arriving
onscreen just now.
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(vocalising to the tune
of "One Milkali" by Electric Fields)
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♪ "Whatcha gonna do with all that ass?" ♪
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It's a good hook.
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(stifled burp)
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(Nova) Oh.
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I'm s- I'd like to apologise.
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Right.
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Can't confirm which end that came out of.
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"My dr- my dress was probably just tight."
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I also wanna say that before people ask us
where these videos are,
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we are now towards the end
of reviewing the Eurovision entries,
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and we have decided we are not covering
a few countries for various reasons.
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A lot of people have asked,
"where's Luxembourg?"
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We have touched on that
in the last review,
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and answered in the comments before.
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There are things surrounding
the Luxembourg entry
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that we don't feel comfortable
with covering it.
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We've tried not to go
into too much detail,
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'cause a lot of it is speculation,
and doesn't have hard evidence.
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But we don't feel comfortable
with that entry.
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Something's not right there.
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We also don't like the song,
so it's been a very easy decision.
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We're not touching that.
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We're not gonna cover Israel,
for obvious reasons.
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We're not gonna cover Azerbaijan,
for obvious reasons.
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We've more recently decided
we're not going to be reacting to Iceland.
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That song we do not rate.
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Nothing against Hera personally
whatsoever,
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- not a bad word to say about the woman.
- That whole situation is so dumb.
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But we do not like that song,
I think that was a ridiculous song.
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We believe that that became selected
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through really, really suspicious
nefarious means.
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Don't like it. Won't be covering it.
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Not doing it.
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So just to put that out there,
won't be covering those entries.
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Uh, but there's a couple left to do,
we will be doing Sweden,
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we will be doing Georgia,
we will be doing Armenia, I believe.
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There might be-
oh, and Portugal.
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Portugal, yeah.
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That might be it.
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- Stick around, subscribe--
- Greece.
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Oh and Greece, of course,
how did we forget?
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Stick around, feel free to subscribe
if you are new here and you haven't.
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Just, you know, click it.
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You can if you like,
I'm not gonna force you to.
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(laughs)
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Won't show up at your house or anything.
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- I will.
- "Oh my god."
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And we also have a Twitch,
join us for game night.
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Why not?
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(singing) Game night.
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Oh, I did a new song in the last one,
and I can't remember what it is now.
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(snapping fingers)
Join us over on Twitch,
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(singing) we're playing games.
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I don't think it was that.
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I should represent the UK or Australia
with "Join us and we'll play some games".
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I don't think that would get
any points, darlin'.
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Sorry.
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♪ ("Legendary Creature"
by Novympia begins) ♪
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(Nova) And a 'Anyone for Jarrah?'
to our newest patrons, Nai and Coraline.
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What would you sing to represent the UK?
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On the spot, now. What's the song?
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(singing) I'm here, singing my song.
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Oh, you gotta be fucking kidding me.
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(singing) Join the Patrón,
we'll do a shot of Patrón.
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♪ ("Legendary Creature" by Novympia) ♪