Return to Video

True Grit, Mattie Ross and Feminism?

  • 0:08 - 0:11
    Mattie Ross is the star of the award winning film True Grit
  • 0:11 - 0:12
    made by the Coen Brothers
  • 0:12 - 0:15
    this is a remake of the 1969 film starring john wayne
  • 0:15 - 0:19
    which is in itself an adaptation of the 1968 Charles Portis novel
  • 0:19 - 0:23
    the 14 year old lead character is played by Hailee Steinfield
  • 0:23 - 0:26
    who much to my surprise was only 13 when filming the movie
  • 0:26 - 0:29
    this is a significant and welcome change from the original casting
  • 0:29 - 0:32
    where actor Kim Darby was 21 when playing Mattie Ross
  • 0:32 - 0:36
    it's always nice seeing young actors playing lead roles in serious films
  • 0:36 - 0:39
    especially young women, because they are offered so few of these
  • 0:39 - 0:43
    Without giving too much away, this is a classic Western narrative about the serach
  • 0:43 - 0:47
    for revenge, self-relience, and independence in a harsh and unforgiving land
  • 0:47 - 0:51
    The movie follows Mattie on her quest for revenge against the man who killed her father.
  • 0:51 - 0:57
    To help her on in this venture, she hires notorious US Marshall Rooster Cogburn, known for his ruthless grit
  • 0:57 - 1:01
    The Marshall initially dismisses Mattie because of her age and gender
  • 1:01 - 1:06
    However, she convinces him of her confidence and they set out on the trail to find the killer
  • 1:06 - 1:09
    For those of you who haven't seen True Grit, there's going to be a few spoilers ahead
  • 1:09 - 1:14
    What's so captivating about Mattie's character is how witty and smart she is
  • 1:14 - 1:16
    and how daring, self-reliant and independent she is
  • 1:16 - 1:20
    She's full of confidence in herself and her abilities in a hostile, male-dominated world
  • 1:20 - 1:25
    These are traits rarely ascribed to female characters, let alone female teenage characters
  • 1:25 - 1:29
    One of my favorite scenes comes early on when Mattie sucessfully negotiates with
  • 1:29 - 1:31
    an unscrupulous horse trader
  • 1:31 - 1:35
    And I want $300 for Papa's saddle horse that was stolen from your stable
  • 1:35 - 1:40
    You have to take that up with the man who stole the horse
  • 1:40 - 1:44
    Tom Cheney stole the horse while he was in your care. You are responsible.
  • 1:44 - 1:50
    hahaha... Yeah, I admire your saying, but you'll find I'm not liable for such claims.
  • 1:50 - 1:54
    You are the custodian. If you were a banker robbed you could not simply
  • 1:54 - 1:55
    tell the depositer to go hang.
  • 1:55 - 1:59
    I do not entertain hypotheticals, the world as it is is vexing enough
  • 1:59 - 2:05
    Secondly, your evaluation of the horse is high by about 200 dollars.
  • 2:05 - 2:06
    How old are you?
  • 2:06 - 2:09
    If anything, my price is low. Judy is a fine racing mare.
  • 2:09 - 2:12
    I've seen her jump a 8 whirl fence with a heavy rider in 14.
  • 2:12 - 2:15
    Mattie really is a breathe of fresh air
  • 2:15 - 2:17
    As Rebecca Keegan points out in her LA Times article
  • 2:31 - 2:38
    I wholeheartedly agree, however, I've been a little dismayed by some mainstream media articles
  • 2:38 - 2:41
    and some blog posts that are quick to label Mattie a "feminist character."
  • 2:41 - 2:43
    Personally, I think it's a little bit of a leap
  • 2:43 - 2:46
    While it is certainly true that Mattie possesses a number of admirable traits
  • 2:46 - 2:48
    rarely seen in female movie rolls
  • 2:48 - 2:51
    I'm just not convinced she's a feminist character
  • 2:51 - 2:52
    Here are the two main reasons why:
  • 2:52 - 2:55
    1) All characters need a good story arc
  • 2:55 - 2:56
    where they are one way when the story starts
  • 2:56 - 3:02
    and they learn a lesson or change or grow or regress or something
  • 3:02 - 3:05
    the point is that the character has transformed from the place that they were
  • 3:05 - 3:08
    at the beginning of the story to someplace different by the end
  • 3:08 - 3:12
    For all intents and purposes, Mattie is basically the same character
  • 3:12 - 3:14
    from the first scene to the closing credits
  • 3:14 - 3:17
    When she first steps off the train, she may be a little bit naive
  • 3:17 - 3:22
    but she is still fairly confident, self-assured, and emotionally cold
  • 3:22 - 3:25
    During her experiences traveling with Rooster and LaBoeuf
  • 3:25 - 3:30
    she retains all of those traits and seems fairly uneffected by the danger, brutality and death
  • 3:30 - 3:32
    all around her
  • 3:32 - 3:35
    As an adult, she seems to have changed very little, if at all
  • 3:35 - 3:37
    and that leads directly into point number 2
  • 3:37 - 3:40
    At no point in the film do we see a real range of emotion, such as sorrow,
  • 3:40 - 3:44
    despair, or grief for the loss of her father
  • 3:44 - 3:47
    Mattie's entire reason for being, as far as we're shown in the movie
  • 3:47 - 3:51
    is to seek the death of his murderer, an outlaw named Tom Cheney
  • 3:51 - 3:54
    She is unwavering in her conviction that justice can only come through
  • 3:54 - 3:57
    the hanging of Tom Cheney in the town square
  • 3:57 - 4:01
    In fact, the whole film frames the murder of Tom Cheney as justice
  • 4:01 - 4:05
    whether he meets it by the state, by the US Marshalls, or by Mattie herself
  • 4:05 - 4:08
    It is never questioned that maybe "an eye for eye" is not such a good idea
  • 4:08 - 4:12
    We don't see Mattie questioning capital punishment (the death penalty)
  • 4:12 - 4:16
    or really considering any other potential forms of justice
  • 4:16 - 4:18
    Even after she kills Cheney, she still shows no emotion
  • 4:18 - 4:23
    In fact, no one in the movie seems to be effected by brutality, death
  • 4:23 - 4:25
    or the suffering of others
  • 4:25 - 4:27
    As we know, all people, regardless of gender
  • 4:27 - 4:30
    are capable of the full range of human behaviors
  • 4:30 - 4:33
    But since we live in a male-dominated, male-centered society
  • 4:33 - 4:39
    traits stereotypically described as masculine are more valued
  • 4:39 - 4:42
    and consequently, more celebrated by Hollywood
  • 4:42 - 4:47
    While tratls typed stereotypically defined as feminine
  • 4:47 - 4:50
    are undervalued and often denigrated
  • 4:50 - 4:53
    This may be one of the reasons why people are quick to adopt
  • 4:53 - 4:55
    Mattie as a feminist character
  • 4:55 - 4:58
    and other people pop culture characters who are considered strong and tough
  • 4:58 - 5:01
    The feminism I subscribe to and work for involves more than
  • 5:01 - 5:05
    women and our fictional representations simply acting like men
  • 5:05 - 5:09
    or unquestionably replicating archetypal male values
  • 5:09 - 5:14
    such as being being emotionally inexpressive, the need for domination and competition
  • 5:14 - 5:16
    and using violence as a form of conflict resolution
  • 5:16 - 5:21
    In my feminist vision, part of what makes a character feminist is watching her struggle
  • 5:21 - 5:25
    with prioritizing values such as cooperation, emathy, compassion
  • 5:25 - 5:28
    and non violent conflict resolution in a world largely hostile to those values
  • 5:28 - 5:33
    I think feminist characters should, like feminists in real life
  • 5:33 - 5:36
    push beyond societal norms, challange gender roles
  • 5:36 - 5:39
    and the institutions that actively work to maintain them
  • 5:39 - 5:41
    And let me be clear here
  • 5:41 - 5:44
    This is not to say that I don't want characters that are flawed, becuase I do
  • 5:44 - 5:47
    I want characters who are subtle, who make mistakes
  • 5:47 - 5:49
    and who don't always do everything right
  • 5:49 - 5:54
    but I want those characters to fit into overarching themes where they're not stuck
  • 5:54 - 5:57
    in stereotypical roles such as the damsel in distress, the girlfriend, or the love interest
  • 5:57 - 6:03
    And on the other hand, I don't want them to just recast tough male roles for women to play
  • 6:03 - 6:06
    which we've been seeing a lot of lately
  • 6:06 - 6:08
    In True Grit, Mattie is certainly subverting expected gender roles
  • 6:08 - 6:12
    by being witty and smart and competent and independent
  • 6:12 - 6:16
    yet she is not challagenging the set of partiarchal, archetypical
  • 6:16 - 6:19
    male values ever-present in most mass media narratives
  • 6:19 -
    She is actually adopting them
Title:
True Grit, Mattie Ross and Feminism?
Description:

Mattie Ross is the star of the award winning film True Grit. She is a remarkable character being cast as a strong, tough, independent, and determined young woman. While I think Mattie's character is (unfortunately) rare in major Hollywood films, many people have been quick to call her a feminist character... I have a slightly different take.

more » « less
Video Language:
English
Team:
Feminist Frequency
Duration:
06:31

English subtitles

Revisions Compare revisions