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Intelligent Design and Evolution

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    There's been a lot of talk very
    recently, or definitely
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    over the last several years,
    about the idea of intelligent
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    design and how it compares
    to evolution.
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    And my goal in this video
    isn't to enter into that
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    discussion, or it's actually
    turned into an argument in
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    most circles, but really to make
    my best attempt to kind
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    of reconcile the notions.
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    So the idea behind intelligent
    design is really that there
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    are some things that we see in
    our world that are just so
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    amazing that it seems hard to
    believe that it could be the
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    product of a set of
    random processes.
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    And the example that tends to
    be given is the human eye,
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    which truly is an awe-inspiring
    device.
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    You can call it an organ
    or a machine.
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    Whatever you want to call
    it, it does all of
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    these amazing things.
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    It can focus at different
    lengths.
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    It brings the light into focus
    at just the right spot, and
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    then you have your retinal
    nerves and you have two eyes
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    so can see in stereoscopic
    vision.
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    You can see in colors, and then
    you can adjust to light
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    and dark, so the human eye
    truly is awe inspiring.
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    And the argument tends to go
    that, look, how can this be
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    created from random processes?
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    And the goal of this isn't to
    trace the evolution of the
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    eye, but I'll do a little side
    note here that evolution is--
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    and natural selection, and
    I like the word natural
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    selection more because
    it's not talking
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    about an active process.
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    Natural selection is acting over
    eons and eons of time,
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    and we do see evidence in our
    world of a progression of
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    different types of eyes.
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    In fact, all evidence shows
    that the human eye is not
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    perfect, and that there
    is variation.
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    I mean, we all know some of us
    are nearsighted, some are
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    farsighted.
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    We have astigmatisms. It
    degenerates over time.
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    People generate cataracts, so
    there's a whole set of things
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    that can go wrong with
    the human eye.
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    I'm not using that as a
    rebuttal, but I'm just showing
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    you that there is variation,
    even in what I believe is
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    truly an amazing piece
    of biology.
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    And even if you go outside of
    the human world, there's
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    obviously a huge spectrum
    of eyes.
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    You have fish at the bottom of
    the ocean that have eyes that
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    are really just light sensors,
    that barely can maybe tell
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    you-- and some insects are like
    this-- whether there's
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    some light or some heat
    around, nothing
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    really more than that.
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    And at the other end of the
    spectrum, far better than
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    humans, you have certain birds
    and a certain type of
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    nocturnal creatures where they
    can see in the dark.
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    You know, maybe you have a
    certain-- actually, all cats
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    have this reflective material in
    their eye that allows them
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    much better night vision, so in
    that way they're superior
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    to humans, and they can see just
    as good as humans during
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    the daytime.
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    You have certain birds who can
    see with far more visual
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    clarity at far better distances
    than humans can, so
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    there is no perfect eye.
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    So I'll go into a little bit
    of a theological argument
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    here, and for those of you who
    watch my videos, you know that
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    I'm one to stray away from
    theological arguments,
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    although I might eventually do
    a whole philosophy playlist,
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    but I want to be very careful
    not to offend anyone's
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    sensibilities, because
    that truly, truly,
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    truly is not my intention.
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    But the whole point I want to
    make is that, look, if you
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    believe in a God, and I won't
    take sides on that argument in
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    this video right here, it's to
    some degree, I would say,
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    almost disparaging of an
    all-powerful being to say that
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    this human eye, it kind of gives
    too much importance to
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    us as individuals.
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    I always think that religion--
    and actually science.
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    Or actually everything.
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    I mean, we should be humble in
    our lives, and there should be
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    the realization that we, as
    humans, really-- this isn't
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    perfection, and to imply that
    this is the best that a
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    perfect entity or an
    all-powerful entity could
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    produce I think is a little
    actually disparaging of it.
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    I'll give you another example.
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    I give you another example, and
    I'll put my engineering
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    hat on here.
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    And once again, I want
    to be very clear.
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    My goal isn't in this video to
    say, oh, you know, look, hey,
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    evolution, random processes,
    that by itself, there is no
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    God, and you just have
    to live with it.
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    No, that's not my point.
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    I'm actually making the opposite
    argument, that a
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    belief in God would not point
    to a God who-- a belief in a
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    universal, all-powerful God
    would not point to a God who
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    designs the particular, who
    designs each particular.
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    And even more, the imperfections
    that we see
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    around us would-- and especially
    because we see
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    variation and they're being
    selected for it.
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    I mean, we can't just
    focus on the eye.
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    We would have to focus on
    viruses and cancers, and it
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    would have to speak to a God
    that is designing one off
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    every version of every sequence
    of DNA that we see,
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    because if someone talks about
    designing an eye, we know that
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    the eye is the byproduct of DNA,
    and we know the DNA is a
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    sequence of base pairs, you
    know, ATG, C, A, and, you
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    know, billions and
    billions of them.
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    And so when we talk about
    design, we would be talking
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    literally about designing
    the sequence.
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    And we even know that a lot of
    the sequence, there's some
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    noise in there.
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    We know that a lot of it comes
    from primitive viruses deep in
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    our past.
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    So the argument I'm making here
    is that in order to give
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    credit to the all powerful, at
    least to my mind, a system
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    that comes from very simple and
    elegant basic ideas like
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    natural selection and
    variations, that in our DNA,
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    we call those mutations, in
    the laws of physics and
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    chemistry, and those, from that
    simple and elegant basic
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    ideas, for complexity
    to emerge.
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    So this is one idea and this
    is what really evolution
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    speaks to, that, look, our
    universe is this profound
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    world, this profound
    environment, where from these
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    very basic, simple, beautiful
    ideas, we have this complexity
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    in the structure that is truly,
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    truly, truly awe inspiring.
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    This is, in my mind, what
    evolution speaks to.
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    And in my mind, even as an
    engineer, this speaks to a
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    higher form of design.
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    This speak to a more
    profound design.
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    So this whole video, the whole
    argument, is that if one does
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    believe in a God, and, you know,
    I'm not going to take
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    sides in that in this video,
    and a God that speaks to
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    beauty and elegance and is
    infinitely powerful, then this
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    idea of the laws of physics
    and chemistry and natural
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    selection, which is really-- I
    mean, you know, when I talked
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    about natural selection in the
    last video, it was really-- I
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    think you would find it was
    a bit of common sense.
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    That this is a very profound
    design and it speaks to the
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    art of the designer as opposed
    to designing each of these
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    entities one off.
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    And what's even more profound
    about the design
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    is that it's adaptive.
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    If there's environmental
    stress, then the other
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    variations survive
    more frequently.
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    And so it's never changing,
    that perfection, that no
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    instance can ever be pointed to
    and say this is the highest
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    point that this design
    can reach.
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    That is always-- I don't want
    to say getting better.
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    It's always getting more suited
    to its environment as
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    it changes, and that to
    me is a better design.
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    Now, just following
    up on that, and I
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    want to be very clear.
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    This whole idea is to kind of
    raise the standard of what we
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    expect out of design.
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    It's to kind of show other
    points or other places in the
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    scientific or mathematical world
    where this does emerge.
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    And the best example I see
    of that is with fractals.
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    A lot of you-all might have
    seen-- this is the Mandelbrot
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    set, a very famous
    set of fractals.
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    It's immensely complex.
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    In fact, you can keep zooming
    in on the Mandelbrot set at
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    any point, and when you zoom it
    out, it becomes infinitely
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    complex, and you can explore
    it indefinitely.
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    But the beauty of it, the true
    beauty of it, is all of this
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    can be described by one
    equation, one almost
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    shockingly simple equation, and
    that's this: The next z is
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    equal to the z before
    it squared plus 1.
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    And you're like you know, Sal,
    you started talking about
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    intelligent design and evolution
    and all of that.
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    Why are you all of a sudden
    breaking into fractals?
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    And the point I'm trying to make
    here is that if I had two
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    designers and one set out to
    go and paint this exact
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    particular fractal and say,
    oh, you know, I'm going to
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    make this brown and I'm going
    to make this blue and I'm
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    going to make this a circle
    with other circles, you'd
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    think this is an amazing
    painter.
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    For example, if you were to go
    to someone 300 years ago and
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    you were to show them this, they
    would say that this is
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    the finest design that anyone
    might have ever been able to
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    devise, because it's so
    infinitely complex.
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    But now we know that this can
    be completely described by
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    this simple equation,
    literally.
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    For those of you are interested,
    all they're doing,
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    this is a complex plane, and
    they're starting at zero--
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    excuse me, not plus 1, plus c.
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    Let me make that very clear.
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    This is the equation plus c.
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    So for every point on the
    complex plane, you put that
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    point in for c, and then you
    start with zero, and you keep
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    doing this.
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    So you say zero squared plus
    that number, that complex
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    number, is equal to that.
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    Then you put that in here, and
    then you do that number
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    squared plus that complex
    number, and you do it again.
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    You do it over and
    over and over.
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    So turns out that some numbers
    don't go to infinity and those
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    numbers are in black.
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    They're considered part
    of the Mandelbrot set.
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    And then the numbers that do go
    to infinity, as you iterate
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    on this formula, you color it
    based on how fast it goes to
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    infinity, and it creates this
    infinitely beautiful and
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    complex pattern.
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    Now, if you were to say what is
    a more profound design, and
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    you can ask any engineer this,
    in my mind, this is the most
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    profound design.
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    Because it's simple and elegant,
    but it describes
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    something of infinite
    complexity.
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    It's not just focused on the
    particular, it's focused on
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    kind of the metalevel.
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    It's focused on creating just
    the idea of which this is just
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    an example.
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    So anyway, this is probably my
    video where I steer most away
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    from the science of it all and
    maybe I focus a little bit
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    more on the slightly
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    metaphysical or the awe inspiring.
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    But my whole point here is to
    really throw out my little
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    idea of how you can reconcile
    these notions.
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    That evolution, the randomness
    of it, does not speak to a
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    Godless universe, although
    I'm not going to
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    take sides on that.
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    It speaks to a more profound
    God, in my mind.
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    So anyway, forgive me for taking
    my liberties, and I
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    want to make it very clear, I
    don't want to offend anyone's
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    sensibilities, but I really
    just wanted to throw
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    this idea out there.
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    See you in the next video.
Title:
Intelligent Design and Evolution
Video Language:
English
Duration:
11:35

English subtitles

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