1 00:00:07,648 --> 00:00:11,768 Mattie Ross is the star of the award winning film True Grit made by the Coen Brothers. 2 00:00:11,768 --> 00:00:16,160 This is a remake of the 1969 film starring John Wayne which is in itself 3 00:00:16,160 --> 00:00:19,550 an adaptation of the 1968 Charles Portis novel. 4 00:00:19,550 --> 00:00:22,502 The 14 year old lead character is played by Hailee Steinfeld 5 00:00:22,502 --> 00:00:25,711 who much to my surprise was only 13 when filming the movie. 6 00:00:25,711 --> 00:00:29,020 This is a significant and welcome change from the original casting 7 00:00:29,020 --> 00:00:32,101 where actor Kim Darby was 21 when playing Mattie Ross. 8 00:00:32,101 --> 00:00:36,245 it's always nice seeing young actors playing lead roles in serious films 9 00:00:36,245 --> 00:00:38,987 especially young women, because they are offered so few of these. 10 00:00:38,987 --> 00:00:42,931 Without giving too much away, this is a classic western narrative about the search 11 00:00:42,931 --> 00:00:47,048 for revenge, self-reliance, and independence in a harsh and unforgiving land. 12 00:00:47,048 --> 00:00:51,093 The movie follows Mattie on her quest for revenge against the man who killed her father. 13 00:00:51,093 --> 00:00:56,742 To help her on in this venture, she hires notorious US Marshall Rooster Cogburn, known for his ruthless grit. 14 00:00:56,742 --> 00:01:01,421 The Marshall initially dismisses and ridicules Mattie because of her age and gender 15 00:01:01,421 --> 00:01:05,538 however, she convinces him of her confidence and they set out on the trail to find the killer 16 00:01:05,538 --> 00:01:08,981 For those of you who haven't seen True Grit, there's going to be a few spoilers ahead. 17 00:01:08,981 --> 00:01:13,005 What's so captivating about Mattie's character is how witty and smart she is 18 00:01:13,005 --> 00:01:15,760 and how daring, self-reliant and independent she is. 19 00:01:15,760 --> 00:01:20,369 She's full of confidence in herself and her abilities in a hostile, male-dominated world. 20 00:01:20,369 --> 00:01:25,065 These are traits rarely ascribed to female characters, let alone female teenage characters 21 00:01:25,065 --> 00:01:29,149 One of my favorite scenes comes early on when Mattie sucessfully negotiates with 22 00:01:29,149 --> 00:01:30,815 an unscrupulous horse trader. 23 00:01:30,815 --> 00:01:35,169 And I want $300 for Papa's saddle horse that was stolen from your stable. 24 00:01:36,939 --> 00:01:39,723 You have to take that up with the man who stole the horse. 25 00:01:39,723 --> 00:01:43,235 Tom Cheney stole the horse while he was in your care. You are responsible. 26 00:01:43,235 --> 00:01:49,679 hahaha... Yeah, I admire your saying, but you'll find I'm not liable for such claims. 27 00:01:49,679 --> 00:01:54,635 You are the custodian. If you were a bank and it were robbed you could not simply tell the depositer to go hang. 28 00:01:54,635 --> 00:01:59,268 I do not entertain hypothetical, the world as it is is vexing enough. 29 00:01:59,268 --> 00:02:04,400 Secondly, your evaluation of the horse is high by about 200 dollars. 30 00:02:04,400 --> 00:02:05,429 How old are you? 31 00:02:05,429 --> 00:02:08,636 If anything, my price is low. Judy is a fine racing mare. 32 00:02:08,636 --> 00:02:12,246 I've seen her jump a 8 whirl fence with a heavy rider. I'm 14. 33 00:02:12,246 --> 00:02:14,720 Mattie really is a breathe of fresh air 34 00:02:14,720 --> 00:02:17,075 As Rebecca Keegan points out in her LA Times article 35 00:02:17,075 --> 00:02:24,319 “Given that female adolescents are frequently depicted on-screen as vapid, angst-ridden, pregnant or merely decorative. 36 00:02:24,319 --> 00:02:29,217 Mattie Ross is a remarkable role. She never shakes out her braids in a makeover montage, swoons 37 00:02:29,217 --> 00:02:32,702 over a cute stable boy or frets about the daunting task at hand.” 38 00:02:32,702 --> 00:02:37,633 I wholeheartedly agree, however, I've been a little dismayed by some mainstream media articles 39 00:02:37,633 --> 00:02:41,005 and some blog posts that are quick to label Mattie a "feminist character." 40 00:02:41,005 --> 00:02:43,010 Personally, I think it's a little bit of a leap 41 00:02:43,010 --> 00:02:45,851 While it is certainly true that Mattie possesses a number of admirable traits 42 00:02:45,851 --> 00:02:47,966 rarely seen in female movie rolls, 43 00:02:47,966 --> 00:02:50,276 I'm just not convinced she's a feminist character. 44 00:02:50,276 --> 00:02:51,975 Here are the two main reasons why: 45 00:02:51,975 --> 00:02:56,200 All characters need a good story arc where they're one way when the story starts 46 00:02:56,200 --> 00:03:01,591 and they learn a lesson or change or grow or regress or something. 47 00:03:01,591 --> 00:03:05,030 The point is that the character has transformed from the place that they were 48 00:03:05,030 --> 00:03:07,954 at the beginning of the story to some place different by the end. 49 00:03:07,954 --> 00:03:11,353 For all intents and purposes, Mattie is basically the same person 50 00:03:11,353 --> 00:03:13,543 from the first scene to the closing credits. 51 00:03:13,543 --> 00:03:16,949 When she first steps off the train, she may be a little bit naive 52 00:03:16,949 --> 00:03:21,528 but she is still fairly confident, self-assured, independent and emotionally cold. 53 00:03:21,528 --> 00:03:24,811 During her experiences traveling with Rooster and LaBoeuf she retains all 54 00:03:24,811 --> 00:03:30,793 of those traits and seems fairly unaffected by the danger, brutality and death all around her. 55 00:03:30,793 --> 00:03:34,292 As an adult, she seems to have changed very little, if at all 56 00:03:34,292 --> 00:03:36,459 and that leads directly into point number 2. 57 00:03:36,459 --> 00:03:40,192 At no point in the film do we see a real range of emotion, such as sorrow, 58 00:03:40,192 --> 00:03:43,383 despair, or grief for the loss of her father 59 00:03:43,383 --> 00:03:46,643 Mattie's entire reason for being, as far as we're shown in the movie 60 00:03:46,643 --> 00:03:50,401 is to seek the death of his murderer, an outlaw named Tom Cheney. 61 00:03:50,401 --> 00:03:54,471 She is unwavering in her conviction that justice can only come through 62 00:03:54,471 --> 00:03:56,622 the hanging of Tom Cheney in the town square 63 00:03:56,622 --> 00:04:00,329 In fact, the whole film frames the murder of Tom Cheney as justice 64 00:04:00,329 --> 00:04:04,698 whether he meets it by the state, by the US Marshalls, or by Mattie herself 65 00:04:04,698 --> 00:04:08,025 It's never questioned that maybe "an eye for eye" is not such a good idea 66 00:04:08,025 --> 00:04:12,092 We don't see Mattie questioning capital punishment ie. the death penalty, 67 00:04:12,092 --> 00:04:15,461 or really considering any other potential forms of justice. 68 00:04:15,461 --> 00:04:18,697 Even after she kills Cheney, she still shows no emotion 69 00:04:18,697 --> 00:04:24,052 In fact, no one in the movie seems to be effected by brutality, death or the suffering of others. 70 00:04:24,052 --> 00:04:26,645 As we know, all people, regardless of gender 71 00:04:26,645 --> 00:04:29,543 are capable of the entire range of human behaviors 72 00:04:29,543 --> 00:04:32,956 But since we live in a male-dominated, male-centered society 73 00:04:32,956 --> 00:04:37,604 traits stereotypically identified as masculine 74 00:04:37,604 --> 00:04:42,011 are more valued and consequently, more celebrated by Hollywood. 75 00:04:42,011 --> 00:04:46,565 While traits stereotypically identified as feminine, 76 00:04:46,565 --> 00:04:49,037 are undervalued and often denigrated. 77 00:04:49,037 --> 00:04:53,550 This may be one of the reasons why people are quick to adopt Mattie as a feminist character, 78 00:04:53,550 --> 00:04:57,736 and other female pop culture characters who are considered strong and tough. 79 00:04:57,736 --> 00:05:01,079 The feminism I subscribe to and work for involves more than 80 00:05:01,079 --> 00:05:04,722 women and our fictional representations simply acting like men 81 00:05:04,722 --> 00:05:08,934 or unquestionably replicating archetypal male values 82 00:05:08,934 --> 00:05:13,117 such as being being emotionally inexpressive, the need for domination and competition 83 00:05:13,117 --> 00:05:15,909 and using violence as a form of conflict resolution. 84 00:05:15,909 --> 00:05:20,575 In my feminist vision, part of what makes a character feminist is watching her struggle 85 00:05:20,575 --> 00:05:24,616 with prioritizing values such as cooperation, emathy, compassion 86 00:05:24,616 --> 00:05:29,340 and non violent conflict resolution in a world largely hostile to those values. 87 00:05:29,340 --> 00:05:32,985 I think feminist characters should, like feminists in real life 88 00:05:32,985 --> 00:05:35,965 push beyond societal norms, challange gender roles 89 00:05:35,965 --> 00:05:38,895 and the institutions that actively work to maintain them. 90 00:05:38,895 --> 00:05:43,686 And let me be clear here, this is not to say that I don't want characters who are flawed, because I do, 91 00:05:43,686 --> 00:05:48,744 I want characters who are subtle, who make mistakes and who don't always do everything right. 92 00:05:48,744 --> 00:05:52,454 but I want those characters to fit into overarching themes where they're not stuck 93 00:05:52,454 --> 00:05:57,089 in stereotypical roles such as the damsel in distress, the girlfriend, or the love interest. 94 00:05:57,089 --> 00:06:02,635 And on the other hand, I don't want them to just recast tough male roles for women to play, 95 00:06:02,635 --> 00:06:04,833 which we've been seeing a lot of lately. 96 00:06:04,848 --> 00:06:08,201 In True Grit, Mattie is certainly subverting expected gender roles 97 00:06:08,201 --> 00:06:11,865 by being witty and smart and competent and independent 98 00:06:11,865 --> 00:06:14,993 yet she is not challagenging the set of partiarchal, archetypical 99 00:06:14,993 --> 00:06:18,236 male values ever-present in most mass media narratives, 100 00:06:18,236 --> 00:06:20,299 she is actually adopting them.