1 00:00:02,183 --> 00:00:06,362 Feminist Frequency and bitch media 2 00:00:06,362 --> 00:00:09,423 Tropes vs. Women 3 00:00:09,423 --> 00:00:11,984 A trope is a common pattern in a story 4 00:00:11,984 --> 00:00:14,282 or a recognizable attribute in a character 5 00:00:14,282 --> 00:00:16,967 that conveys information to the audience. 6 00:00:16,967 --> 00:00:19,969 A trope becomes a cliche when it's overused. 7 00:00:19,969 --> 00:00:23,760 Sadly, some of these tropes often perpetuate offensive stereotypes. 8 00:00:23,760 --> 00:00:26,994 #3 Smurfette Principle 9 00:00:27,579 --> 00:00:29,417 What do Inception, the Transformers, 10 00:00:29,417 --> 00:00:31,563 and the Muppets all have in common? 11 00:00:31,563 --> 00:00:33,080 They all suffer from a trope called 12 00:00:33,080 --> 00:00:35,000 the Smurfette Principle. 13 00:00:35,000 --> 00:00:36,690 As defined by TVTropes: 14 00:00:36,866 --> 00:00:39,461 "The Smurfette Principle is the tendency for works of fiction" 15 00:00:39,461 --> 00:00:41,476 "to have only exactly one female amongst an" 16 00:00:41,476 --> 00:00:43,839 "ensemble of male characters, in spite of the fact that" 17 00:00:43,839 --> 00:00:46,245 "roughly half of the human race is female." 18 00:00:46,245 --> 00:00:49,637 "Unless a show is purposefully aimed at a female viewing audience," 19 00:00:49,637 --> 00:00:53,030 "the main characters will tend to be disproportionately male." - TV Tropes 20 00:00:53,030 --> 00:00:56,037 In 1991 Katha Pollitt, a feminist essayist 21 00:00:56,037 --> 00:00:58,168 wrote an article for the NY Times 22 00:00:58,168 --> 00:01:00,012 because she was disturbed by the lack of 23 00:01:00,012 --> 00:01:01,341 substantive female characters 24 00:01:01,341 --> 00:01:02,912 for her young daughter to watch. 25 00:01:03,014 --> 00:01:04,046 She found that most of the programming 26 00:01:04,046 --> 00:01:06,013 aimed at young people 27 00:01:06,013 --> 00:01:07,807 had a majority of male characters, 28 00:01:07,807 --> 00:01:10,065 with just one female included in the group, 29 00:01:10,065 --> 00:01:12,040 she called this The Smurfette Principle. 30 00:01:12,566 --> 00:01:14,065 You’ve probably guessed by now 31 00:01:14,065 --> 00:01:15,323 that this trope was named after 32 00:01:15,323 --> 00:01:17,577 the only female smurf in all of Smurfville. 33 00:01:18,020 --> 00:01:19,080 Once upon a time, 34 00:01:19,080 --> 00:01:21,015 the Smurfs were an harmonious 35 00:01:21,015 --> 00:01:24,015 all-dude miniature civilization comprised entirely 36 00:01:24,015 --> 00:01:26,056 of kind good natured little blue dudes 37 00:01:26,056 --> 00:01:29,060 living out their cooperative-dude existence 38 00:01:29,060 --> 00:01:32,064 somewhere deep in their dude forest utopia. 39 00:01:32,064 --> 00:01:34,050 We’ve got Lazy, Grouchy, Jokey, 40 00:01:34,050 --> 00:01:37,075 Brainy, Baby, and Papa Smurf 41 00:01:37,075 --> 00:01:39,014 and all their Smurf buddies 42 00:01:39,014 --> 00:01:41,003 living out their smurfy existence 43 00:01:41,003 --> 00:01:43,052 free from any of those meddling, divisive, 44 00:01:43,052 --> 00:01:45,079 controlling, manipulative, mean women folk. 45 00:01:46,028 --> 00:01:48,048 But one day the evil wizard Gargamel 46 00:01:48,048 --> 00:01:51,047 decided on a devilish plan to sabotage smurfdom. 47 00:01:51,047 --> 00:01:53,019 And how will he do that? 48 00:01:53,019 --> 00:01:56,087 yes that’s right, by creating a female smurf! 49 00:01:56,087 --> 00:02:00,053 “That’s it, I’ll get them through their hearts,” 50 00:02:00,053 --> 00:02:03,055 “I will send them a Smurfette!” 51 00:02:03,055 --> 00:02:05,050 So Gargamel sent in Smurfette 52 00:02:05,050 --> 00:02:07,006 to cause divisions between 53 00:02:07,006 --> 00:02:09,018 the lovable blue creatures so he can capture 54 00:02:09,018 --> 00:02:10,544 and eat their tender blue flesh 55 00:02:10,544 --> 00:02:13,000 in a nice honey lemon sauce. 56 00:02:13,000 --> 00:02:14,053 Long story short, 57 00:02:14,053 --> 00:02:16,027 love and understanding won out 58 00:02:16,027 --> 00:02:18,011 when Papa Smurf worked some smurf magic and 59 00:02:18,011 --> 00:02:20,024 transformed Gargamel’s impostor 60 00:02:20,024 --> 00:02:22,069 into a real live smurf girl, 61 00:02:22,069 --> 00:02:25,051 “sexy” blond hair, high heels and all! 62 00:02:26,050 --> 00:02:27,098 Down in the 100 acre woods, 63 00:02:27,098 --> 00:02:29,051 we follow the adventures of 64 00:02:29,051 --> 00:02:32,032 Winnie the Pooh, Rabbit, Piglet, Eeyore, Owl 65 00:02:32,032 --> 00:02:34,093 and Tigger – all dudes of course… 66 00:02:34,831 --> 00:02:37,045 in fact there’s only one female character, 67 00:02:37,045 --> 00:02:39,072 Kanga, who shows up occasionally 68 00:02:39,072 --> 00:02:41,058 as the mother of little roo. 69 00:02:41,058 --> 00:02:43,072 Even Jim Henson didn’t seem too keen on the women, 70 00:02:43,072 --> 00:02:46,707 along side Kermit, Gonzo, and Fozzie the Bear, 71 00:02:46,707 --> 00:02:49,031 Miss Piggy was the only female muppet. 72 00:02:50,300 --> 00:02:52,045 We can even see the Smurfette Principle 73 00:02:52,045 --> 00:02:54,038 outside of programming aimed at young people. 74 00:02:54,038 --> 00:02:56,086 So for example you have George Lucas’ 75 00:02:56,086 --> 00:02:58,044 original Star Wars trilogy where 76 00:02:58,044 --> 00:03:01,037 Princess Leia is the only principle female character 77 00:03:01,037 --> 00:03:03,032 in the entire galactic empire. 78 00:03:03,390 --> 00:03:05,268 If you’re like me then you are probably thinking 79 00:03:05,268 --> 00:03:07,257 there’s got to be something wrong, I mean, 80 00:03:07,257 --> 00:03:09,059 Star Trek has had a female captain, 81 00:03:09,059 --> 00:03:12,049 Buffy has saved the world from a demon apocalypse 82 00:03:12,049 --> 00:03:14,030 at least half dozen times, 83 00:03:14,030 --> 00:03:17,009 this trope has gotta be a thing of the past right? 84 00:03:17,009 --> 00:03:20,057 Ellen Page gets Smurfette’d in Inception as her character 85 00:03:20,057 --> 00:03:22,087 is the only female dream team member. 86 00:03:22,087 --> 00:03:25,025 Big Bang Theory has a primary main cast of brainy 87 00:03:25,025 --> 00:03:27,051 men plus the smurfette that lives across the hall. 88 00:03:27,419 --> 00:03:29,056 While there’ve been a small handful 89 00:03:29,056 --> 00:03:31,596 of female autobots in the Transformers universe, 90 00:03:31,596 --> 00:03:34,029 Arcee is the only regularly reoccurring 91 00:03:34,029 --> 00:03:36,089 female cast member and she only appeared in 92 00:03:36,089 --> 00:03:38,786 8 episodes out of the original series. 93 00:03:38,786 --> 00:03:40,513 She was set to appear in the 1st Transformers 94 00:03:40,513 --> 00:03:43,033 live action film but she was dropped and 95 00:03:43,033 --> 00:03:45,032 replaced with Ironhide. 96 00:03:45,032 --> 00:03:47,048 She did however appear in the second film 97 00:03:47,048 --> 00:03:49,006 Revenge of the Fallen 98 00:03:49,006 --> 00:03:51,046 which also happens to be one of the most sexist 99 00:03:51,046 --> 00:03:53,070 and racist films I’ve ever seen. 100 00:03:55,032 --> 00:03:57,086 This version of Arcee is either a hivemind 101 00:03:57,086 --> 00:04:00,007 with 3 different motorcycle components 102 00:04:00,007 --> 00:04:02,046 or the other two bikes are her sisters, 103 00:04:02,046 --> 00:04:04,035 it’s not exactly clear. 104 00:04:07,009 --> 00:04:09,033 But it doesn’t really matter anyway 105 00:04:09,033 --> 00:04:11,003 because they all get blown up at the end. 106 00:04:12,013 --> 00:04:14,021 Plus they only appear on screen 107 00:04:14,021 --> 00:04:16,095 for a grand total of exactly… 108 00:04:16,680 --> 00:04:20,014 “Follow us to the pillars — AHHH!” 109 00:04:22,041 --> 00:04:24,010 39 seconds. 110 00:04:24,010 --> 00:04:25,093 Even in most seasons of Jon Stewart’s 111 00:04:25,093 --> 00:04:27,046 the Daily Show there has been 112 00:04:27,046 --> 00:04:29,062 only one female correspondent at a time. 113 00:04:29,324 --> 00:04:31,032 The Smurfette principle is especially 114 00:04:31,032 --> 00:04:32,321 important to remember now because 115 00:04:32,321 --> 00:04:36,013 Hollywood is currently trying to remake everything 116 00:04:36,013 --> 00:04:38,016 and anything that we even vaguely remember 117 00:04:38,016 --> 00:04:40,038 from the 80′s and 90′s in an attempt 118 00:04:40,038 --> 00:04:42,058 to cash in on our collective nostalgia, 119 00:04:42,335 --> 00:04:44,088 you know, instead of maybe taking a risk 120 00:04:44,088 --> 00:04:46,053 on things that are new and exciting. 121 00:04:46,284 --> 00:04:49,008 We even have a live action Smurfs movie coming out. 122 00:04:52,030 --> 00:04:54,077 We’ve had 2 big blockbuster movies based on 123 00:04:54,077 --> 00:04:56,072 the Transformers, and sadly 124 00:04:56,072 --> 00:04:58,061 there’s another one on its way. 125 00:04:58,371 --> 00:05:01,025 The 2009 Star Trek reboot by JJ Abrams 126 00:05:01,025 --> 00:05:03,092 had Uhura as the only female character 127 00:05:03,092 --> 00:05:05,034 in the main bridge crew. 128 00:05:05,034 --> 00:05:07,012 And just like Star Trek we can be sure 129 00:05:07,012 --> 00:05:08,094 that hollywood is not going to try to bring 130 00:05:08,094 --> 00:05:10,348 gender equality into these reboots 131 00:05:10,348 --> 00:05:12,699 but rather just stick with their Smurfettes. 132 00:05:12,699 --> 00:05:14,511 The problem with narratives infused with 133 00:05:14,511 --> 00:05:17,004 the Smurfette Principle is not only the lack of women 134 00:05:17,004 --> 00:05:19,043 but as Katha Pollitt points out in her NY Times article: 135 00:05:19,562 --> 00:05:21,308 "Boys define the group," 136 00:05:21,308 --> 00:05:23,300 "its story and its code of values." 137 00:05:23,316 --> 00:05:26,046 "Girls exist only in relation to boys." - Katha Pollitt 138 00:05:26,046 --> 00:05:28,039 Basically this means that men are the default 139 00:05:28,039 --> 00:05:31,044 and women get to be sidekicks or sexy decorations. 140 00:05:31,761 --> 00:05:35,001 Even when there’s only one female primary cast member, 141 00:05:35,001 --> 00:05:37,006 as videoblogger Nostalgia Chick points out in her 142 00:05:37,006 --> 00:05:39,118 Smurfette Principle video, they are usually just 143 00:05:39,118 --> 00:05:42,047 “sexy” female duplicates of their male counterparts. 144 00:05:42,047 --> 00:05:44,005 “Disney was the one that kinda really started” 145 00:05:44,005 --> 00:05:46,006 “this interest in the whole default and” 146 00:05:46,006 --> 00:05:47,451 “deviation from default complex,” 147 00:05:47,451 --> 00:05:49,086 “basically this idea that men seem to want” 148 00:05:49,086 --> 00:05:51,050 “a vagina’d version of themselves.” 149 00:05:51,050 --> 00:05:52,588 That’s an excellent point, 150 00:05:52,588 --> 00:05:53,965 thank you Nostalgia Chick. 151 00:05:54,196 --> 00:05:56,328 The Smurfette Principle is an alternative name for 152 00:05:56,328 --> 00:05:58,789 Tokenism or the Token Minority which is 153 00:05:58,789 --> 00:06:00,802 the inclusion of one cast member 154 00:06:00,802 --> 00:06:02,633 from a marginalized group in an otherwise, 155 00:06:02,633 --> 00:06:06,015 white, straight male ensemble. 156 00:06:06,015 --> 00:06:07,408 We see this most often when writers include 157 00:06:07,408 --> 00:06:09,460 one person of colour and that character 158 00:06:09,460 --> 00:06:11,603 is usually painfully stereotyped. 159 00:06:11,865 --> 00:06:14,510 This is a little trick used by movie studios to pretend 160 00:06:14,510 --> 00:06:18,067 to appear “multicultural” and “diverse” when really 161 00:06:18,067 --> 00:06:20,062 they’re just upholding the status quo 162 00:06:20,062 --> 00:06:22,073 and not changing anything substantially. 163 00:06:22,719 --> 00:06:25,012 So here’s a tip for all you Hollywood writers 164 00:06:25,012 --> 00:06:27,019 out there, it is in fact possible to have 165 00:06:27,019 --> 00:06:29,035 more than one woman in your script. 166 00:06:29,035 --> 00:06:31,048 Really, I swear it is. 167 00:06:31,048 --> 00:06:34,011 You could even have 2 or 3 women or even 168 00:06:34,011 --> 00:06:37,013 the majority of your cast be women. 169 00:06:37,013 --> 00:06:39,022 Here’s a simple test you can ask yourself 170 00:06:39,022 --> 00:06:40,332 when you’re writing your scripts: 171 00:06:40,332 --> 00:06:44,002 “Does my movie have more than one woman on the primary cast?” 172 00:06:45,021 --> 00:06:47,018 That’s it, that’s the whole test. 173 00:06:48,012 --> 00:06:50,032 If you answered “NO” then you need to 174 00:06:50,032 --> 00:06:51,367 go back to the drawing board. 175 00:06:51,367 --> 00:06:53,735 If you answered “YES” then we can proceed to 176 00:06:53,735 --> 00:06:55,019 the Bechdel Test. 177 00:06:55,019 --> 00:06:57,007 Once you’ve got two female characters 178 00:06:57,007 --> 00:06:59,046 who are talking to each other about things other then men, 179 00:06:59,046 --> 00:07:02,317 then we can talk about fully developed female characters. 180 00:07:03,014 --> 00:07:06,071 [Song] “la, la, la, la, sing a happy song,” 181 00:07:06,071 --> 99:59:59,000 [Song] “la, la, la, la, smurf the whole day long”