A man from the village of Neguá, on the coast of Colombia, managed to rise up in the sky and back he told: said that he had contemplated, from up there, the human life And said we are a sea of little fires The world is that, revealed: a bunch of people, a sea of little fires, There are never two of the same fire Each person shines with self light, amongst the others There's big fires and little fires and fires of all colors There's people of serene fire, that doesn't even feel the wind, and there's people of crazy fire, that fills the air with sparks, Some fires, silly fires, don't iluminate or burn But others... others burn life with so much desire that you cannot look them without blinking, and who approaches ignites. I would like you to talk, Eduardo, of Latin America, how do you see it today and how you see the world today Well, its a little complicated answer a question that covers Latin America and moreover the world I'm glad that you're not going to ask about Jupiter, Mars, the Moon... I guess that on our region we're living a very interesting period, beautiful very creative, very fertile Difficult to understand, sometimes, mainly when you look from outside and from above Things that we truly understand the things that we can understand with the reason and feel with the heart, are the things we're capable of looking from inside and from below If we look from above, with the charactheristic arrogancy of our democracy teachers from United States or from Europe and if beyound looking from above, we look from outside, we don't understand anything And don't understand anything for a reason, for a very important reason: It's that we're the region of the world that, probably, its the most diverse of all It's the home of the human diversities And this, that for me is a virtue, seen from outside and above is considered a serious defect Why? Because if you don't fit in the model from above and outside believe that is democracy, so here there's no democracy And the truth that proves that here democracy exists is that this is a kingdom of the contradiction and the diversity where its mixed and sometimes disagree, all the colors, the smells and the pains of the world There was a north-american poet, a woman, that died some years ago she was called Muriel Rukeyser She said a sentence, that for me, always seemed splendid to me, she said: "Yes, Yes fine, this thing that the world is made of atoms... the world is not made of atoms, the world is made of stories", she said I believe that yes, the world must be made of stories because its the stories that we tell, that we listen, recriate, multiply its the stories that permits to transform, the past in present And, also, permits to transform the distant into near what's distant into something close, possible and visible How was these losses and how did you face them and overcame them or not? The deaths? Losses in general Losses? The losses of things, I confess that never really matered to me But the losses of people yes, they hurted and, in some cases, lefted a little hole very difficult to fill But, well, this world is built like this its a fabric of encounters and missing of losses and gains and the best of my days is the one I didn't live yet each loss corresponds to an encounter that I still didn't have And luckily the reality is generous and doesn't fail on this Indeed I write to celebrate it and celebrating it I denounce everything that prevents us from recognizing on others and ouselves the multiple colors of the terrestrial rainbow We are much more than what people tell us we are The fear threatens if you love, you'll have Aids if you smoke, you'll have cancer if you breath, you'll have contamination if you drink, you'll have accidents if you eat, you'll have cholesterol if you speak, you'll have unemployment if walks, you'll have violence if thinks, you'll have anguish if you doubt, you'll have crazyness if you fell, you'll have solitude One of the most beautiful indigenous stories from Latin America tells that the maya's gods tried lots of times to create the woman and the men because they were very bored, the gods, and they wanted to have someone to talk to So, they made us from lots of different ways and failled, it was a disaster until they found a way that we were what we were, made of corn The maia gods made us from corn and that's why we have all the colors, like the corn not the transgenic corn nor the quimic that is being sold to us right now But, before they get to the corn, the maias god tried, for instance, to make the woman and men of wood and they were just perfect, but they had a grave inconvenience: they didn't breath and as they didn't breath, they didn't have words to say because from the mouth nothing was coming out and I always tought: if they didn't breath, they also didn't have dismay To have breath, you must have discouragement In order to raise you have to know how to fall in order to gain you have to know to lose and we have to know that life is like this, and that you fall and rise lots of times and that some people falls and never raise again, usually the most sensible the easiest to get hurt, the people that most pain feels to live the most sensible people are the most vulnerable And in exchange, these motherfuckers dedicate themselfs to torment the humanity, live very long lifes, they never die because they don't have a gland, that actually is very rare that its called consciousness and its what torments us through the nights Sleeping, saw us Helena had dreamed that we're in a queue a long queue in an airport, like any other airport and each passanger was bringing under their arms, the pillow where they had slept the night before and the pillows were passing, one after the other, through a machine that read the dreams on the pillows It was a machine detector of dangerous dreams for the public order The XX century, that was born announcing peace and justice, died bathed in blood and left a world much more unfair than the one it had encountered The XXI century, that also was born announcing peace and justice is following the steps of the last century On my childhood, I was convinced that everything that was lost on Earth, would go to the moon however, the astronauts didn't found on the Moon dangerous dreams, or betrayed promisses, or shattered hopes. If they're not on the Moon, where are they? Would it be that they got lost on Earth? Would it be that they hide on Earth? And are waiting, waiting for us? I would like you to talk a little bit about Montevidéu About how it is to live in Montevideu and about how you see Uruguai Montevideu is a city that I choose besides is the city where I was born but one is not condemned to choose the city where he was born and I choose it because its a breathable and possible to walk ie, its still possible to breath and walk on the city of Montevideu Its two hard luxuries to find in today's world and since I was little the teacher would tell me breath, Eduardito, its important! And you walk a lot? Yes, I do, I'm very much a walker Actually, I walk a lot the life, I really like to walk And you have a walking routine? No, what I like is to walk on the border of this that we call sea but in fact is kinda river/sea on the border of the water, I walk for hours and this way I save a fortune in psicanalyse I would like you to talk a little bit about something that I know its very important for you, the friendship yes, friendship is a form of love And like I was saying before, I think it exerts on the base of honesty because the other friendship, the one of "I love you very much" and "how beautiful you are" its not the true friendship Friends, when they're true friends, say what has to be said and this concerns people and the colective processes too So, friendship is sometimes difficult on this base, because it crosses complicated periods But, when we love for real, on love, on friendship, you love the lights and the shadows of each person or each place Wich you think it is, today, on this world, the role of literature, the role of art? The truth is that is very difficult to give an answer that doesn't seem pedantic or arrogant or that it doesn't seem that I attribute to the artists a privilegied role in the world Like if God kissed us on the cot and chose us to save the others I don't believe on this at all Don't believe in any type of aristocracy, either the talent one specially when the aristocracy of talent is auto-elected because its us, the literates, the artists in general that in the human zoo habits the cage of peacocks So we're continuously complimenting ourselves for our beauty and extreme intelligence that we have. And I disagree with this I think that the exercise of solidariety, when trully practiced, on the every day life is also an exercise of humility that teaches you to recognize yourself on others and to recognize the greatness hidden on the little things which implies to denounce the fake greatness on the little big things in a world that confuses greatness with little big Not long ago, in an interview that was made with me in Madrid a journalist told me: "Reading your books I feel that you have an eye on the microscope and the other on the telescope" and I thought it was a good definition of my intentions of what I would like to be writing be capable to look what is not looked, but deserves to be looked the little, the minuscule things of the anonymous people the people that the intellectuals usually despise this micro-world where I believe feeds for real the greatness of the universe and at the same time be capable of contemplate the universe through the keyhole, ie, from the small things being capable of looking the big ones to the great misteries of life the mistery of the human pain but also the mistery of the human persistency on this mania, sometimes inexplicable to fight for a world that is everyone's house and not the house of few and the hell of the majority and also other things the capacity of beauty of the most simple people, sometimes from the most plain people that has an unusual capacity of loveliness that, sometimes, its manifested on a song, on a graffiti, in a silly conversation the one that kids have what happens is that us, the adults, get occupied transforming them in ourselves and then we destroy their lifes but, we have to see what's a kid, no? are all pagan... Not long ago, I suffered a tragedy, my fellow died Morgan, my dog, my companion of walking that accompanied me also writting because, when I was losing my hand, I was writing for 18 hours already with his leg told me: "Lets go, lets go, life doesn't finish here, on books, come, lets walk together" and then we went the both of us and he died and I had been feeling a very bad music on my soul and, really, talking about losses, the loss of Morgan was very important for me it ripped a piece of my heart and well, I was very sad and I went for a walk here, on the neighbourhood and it was early, early morning, I couldn't sleep, so I got dressed, and went to walk and I stumbled a little girl, she must had two years, no more than two. that came playing on the opposite direction and she was greeting the grass, the little grass, the little plants "good morning, little grass", she said:"good morning little grass" ie, on this age, we're all pagans, and, at this age, we're all poets later the world occupies itself to belittle our souls that's what we call growing, developing I freed myself from the hug, go out on the street and on the sky, already clearing, it draws, finite, the Moon the Moon has two nights of age me, one. Is there still space for utopy in today's world? Yes, in the sense that gave her Fernando Birri in a sentence that, unfairly, its atributed to me In one of my books I quoted his sentence, saying that it was his but people atributed to me, poor Fernando, but its his We were togheter at the Cartagena das Índias, a beautiful coast colombian city and we did a lecture together on the university a little on the style of the nephews of Donald Duck each one started a sentence that the other finished and at the end, one of the students rise up and asked him, not me "What's the pourpose of utopia?" and he answered the best way I never heard a better answer he said that he asked himself this question every day what's the pourpose of utopia? Assuming utopy serves for something... He said: "See, utopy its on the horizon and if its on the horizon I'll never reach it because, if I walk ten steps, utopy is going to walk ten steps and if I walk twenty steps, utopy is going to put itself twenty steps further in other words I know that I'll never, ever, reach it what's the pourpose? For that, to walk" Eduardo Galeno was born on Uruguay in 1940 On childhood wanted to be a football player In 1971 published "The Open Veins of Latin America" Currently he walks every day, while writting Helena's dreams