1
00:00:01,060 --> 00:00:06,044
Seeing, looking - they are nothing unless you enter people's heart.

2
00:00:06,044 --> 00:00:09,088
The eyes are the entrance to the heart.

3
00:00:09,088 --> 00:00:14,027
Because that's where truth, obscured by image, comes from.

4
00:00:14,027 --> 00:00:17,007
I saw very well, once, you know.

5
00:00:17,007 --> 00:00:22,007
Then, because of a very banal blow on the head, I was able to

6
00:00:22,007 --> 00:00:26,028
become totally blind and to enter a new world,

7
00:00:26,028 --> 00:00:32,084
the world of exaltaion, emotions, sounds, smells...

8
00:00:32,084 --> 00:00:36,067
But also of my being within a body I do not see any longer.

9
00:00:36,067 --> 00:00:41,092
And often, I'm not even quite sure where it is.

10
00:00:41,092 --> 00:00:46,032
Artù, let's shut the last one and we'll be done.

11
00:00:46,032 --> 00:00:48,020
So...

12
00:00:48,020 --> 00:00:51,075
First the inside flaps...

13
00:00:51,075 --> 00:00:58,064
Scotch tape is here.

14
00:00:58,064 --> 00:01:02,075
Artù, you bet I make it at the first go?

15
00:01:02,075 --> 00:01:04,092
No.

16
00:01:04,092 --> 00:01:14,031
She sings: Coming Round Again

17
00:01:14,031 --> 00:01:27,043
Song: Coming Round Again

18
00:01:27,043 --> 00:01:42,015
Clapping

19
00:01:42,015 --> 00:01:44,079
(voice synthesis) I miss you a lot too.

20
00:01:44,079 --> 00:01:50,007
This morning I went to the beach, it seemed I was smelling your perfume.

21
00:01:50,007 --> 00:01:56,007
I turned round abruptly, and for an instant I had the illusion that ou were here.

22
00:01:56,007 --> 00:01:59,040
(voice synthesis) I was on the other side of the world, Lauda.

23
00:01:59,040 --> 00:02:03,020
(voice synthesis) It's difficult for me too, I feel I can't manage

24
00:02:03,020 --> 00:02:06,043
to give you what you need.

25
00:02:06,043 --> 00:02:09,024
I want to hear the sound of your voice.

26
00:02:09,024 --> 00:02:11,068
Can we hear each other by phone?

27
00:02:11,068 --> 00:02:14,000
She's not here yet. You know what?

28
00:02:14,000 --> 00:02:17,068
I'll finish the audio book I started three days ago.

29
00:02:17,068 --> 00:02:21,047
Rather than an audio book, it's one of the old radio dramas made by RAI

30
00:02:21,047 --> 00:02:24,096
before it became the slave of the government.

31
00:02:24,096 --> 00:02:28,063
Did I tell you that, Artù? It's called "The Glass Menagerie".

32
00:02:28,063 --> 00:02:32,012
Written by Tennessee Williams, an American playwright.

33
00:02:32,012 --> 00:02:34,080
The main character limps, and instead of going

34
00:02:34,080 --> 00:02:37,091
to the typing lessons her mother registered her for,

35
00:02:37,091 --> 00:02:41,012
she spends all her time in the park or at the movies.

36
00:02:41,012 --> 00:02:44,015
Happy she. Her name is Laura, eh?

37
00:02:44,015 --> 00:02:46,043
Do you understand what nice couple we are, I and this Laura?

38
00:02:46,043 --> 00:02:48,036
She limps, and I'm blind.

39
00:02:48,036 --> 00:02:53,008
"Glass menagerie", because of the glass knickknacks she keeps on her coffee table.

40
00:02:53,008 --> 00:02:56,056
Another coincidence. I hadn't noticed it!

41
00:02:56,056 --> 00:03:01,028
Artù, let's go and listen how this story ends. Let's go.

42
00:03:01,028 --> 00:03:05,052
You teach him to say "Sorry, please, thank you."

43
00:03:05,052 --> 00:03:07,036
Behave, Artù.

44
00:03:07,036 --> 00:03:11,056
Is it your car? Don't you know parking on the pedestrian crossing is forbidden?

45
00:03:15,059 --> 00:03:19,052
You went to the tobacconist's for a minute? And thus you are justified?

46
00:03:19,052 --> 00:03:21,036
You mustn't park on the pedestrian crossing.

47
00:03:21,036 --> 00:03:23,071
The dog is trained to guide me to the pedestrian crossing.

48
00:03:23,071 --> 00:03:26,056
If you cover them with your car, tell me what it can see?

49
00:03:26,056 --> 00:03:30,040
And what should I do? Stay here for the whole day because you must go to the tobacconist's for a minute?

50
00:03:30,040 --> 00:03:34,003
And what if a wheelchair must get by? How can the person manage?

51
00:03:34,003 --> 00:03:36,031
I am exaggerating?

52
00:03:36,031 --> 00:03:43,000
It's nothing?

53
00:03:43,000 --> 00:03:46,008
Putting the helmet on ten minutes before the accident

54
00:03:46,008 --> 00:03:49,003
that changes your life... Food for thought.

55
00:03:49,003 --> 00:03:54,003
I put it on exactly ten minutes before I flew off.

56
00:03:54,003 --> 00:03:57,047
I'd just taken it out of the box.

57
00:03:57,047 --> 00:04:08,043
I was shutting and... LOUD NOISES

58
00:04:08,043 --> 00:04:21,004
LOUD RHYTHMICAL MUSIC

59
00:04:21,004 --> 00:04:23,051
I can no longer go out when I want to.

60
00:04:23,051 --> 00:04:28,007
I can no longer decide: "I'm fed up, I'm leaving."

61
00:04:28,007 --> 00:04:31,019
I can no longer read with my eyes

62
00:04:31,019 --> 00:04:36,043
a good novel, but neither an ad for a washing-up liquid.

63
00:04:36,043 --> 00:04:42,024
And no text-to-speech will read me the things I wrote by hand.

64
00:04:42,024 --> 00:04:46,072
I won't be able to see Rome anymore... And here I should stop.

65
00:04:46,072 --> 00:04:49,083
What else do you want to say? Rome....

66
00:04:49,083 --> 00:04:53,027
I never missed an exhibition.

67
00:04:53,027 --> 00:04:56,087
Escher, Dalì, Artemisia Gentileschi.

68
00:04:56,087 --> 00:05:01,048
Caravaggio... And who can forget those bodies.

69
00:05:01,048 --> 00:05:05,063
Those lines, those colors...

70
00:05:05,063 --> 00:05:08,036
Those emotions.

71
00:05:08,036 --> 00:05:15,007
I'd enter a church, or a museum, and I lost myself in all this beauty.

72
00:05:15,007 --> 00:05:27,007
I lost myself.

73
00:05:27,007 --> 00:05:30,039
(With a Roman accent:) Are we making a comedy? Are you joking?

74
00:05:30,039 --> 00:05:34,063
Artù, let's make a comedy! And how should I call it?

75
00:05:34,063 --> 00:05:37,031
Why can't I call it a comedy?

76
00:05:37,031 --> 00:05:40,031
Theater show or drama?

77
00:05:40,031 --> 00:05:44,068
We might as well call it a tragedy.

78
00:05:44,068 --> 00:05:47,036
Crisis - equals - danger.

79
00:05:47,036 --> 00:05:50,012
Crisis - equals - opportunity.

80
00:05:50,012 --> 00:05:58,016
Crisis - equals - danger. Crisis - equals - opportunity.

81
00:05:58,016 --> 00:06:05,080
LOUD RHYTHMICAL MUSIC

82
00:06:05,080 --> 00:06:09,043
Are you calling me about the insurance?

83
00:06:09,043 --> 00:06:13,083
No, I don't intend to meet you, I don't live in Rome anymore.

84
00:06:13,083 --> 00:06:18,056
How dare you call me? After such a long time!

85
00:06:18,056 --> 00:06:21,075
I thought a lot about you too, you know?

86
00:06:21,075 --> 00:06:25,024
I thought about you and your white Mercedes.

87
00:06:25,024 --> 00:06:30,043
Every day, for all these years, your white Mercedes greets me.

88
00:06:30,043 --> 00:06:34,016
Every morning, you know?

89
00:06:34,016 --> 00:06:39,083
But what are you doing? You're crying? I haven't cried for a long time.

90
00:06:39,083 --> 00:06:46,083
And in an instant life... Your life, mine....

91
00:06:46,083 --> 00:06:49,012
can change.

92
00:06:49,012 --> 00:06:54,083
Forever.

93
00:06:54,083 --> 00:06:58,024
But without life

94
00:06:58,024 --> 00:07:01,031
which gave me so much

95
00:07:01,031 --> 00:07:13,012
Song: Gracias a la vida

96
00:07:13,012 --> 00:07:32,039
Clapping

97
00:07:32,039 --> 00:08:14,092
Clapping

98
00:08:26,060 --> 00:08:29,016
Good night, everybody, and thanks for being here.

99
00:08:29,016 --> 00:08:31,051
I hope you enjoyed the show.

100
00:08:31,051 --> 00:08:35,008
I'd like to thank Elena, who was excellent.

101
00:08:35,008 --> 99:59:59,999
Subtitles by CulturAbile Onlus