0:00:01.060,0:00:06.044 Seeing, looking - they are nothing unless you enter people's heart. 0:00:06.044,0:00:09.088 The eyes are the entrance to the heart. 0:00:09.088,0:00:14.027 Because that's where truth, obscured by image, comes from. 0:00:14.027,0:00:17.007 I saw very well, once, you know. 0:00:17.007,0:00:22.007 Then, because of a very banal blow on the head, I was able to 0:00:22.007,0:00:26.028 become totally blind and to enter a new world, 0:00:26.028,0:00:32.084 the world of exaltaion, emotions, sounds, smells... 0:00:32.084,0:00:36.067 But also of my being within a body I do not see any longer. 0:00:36.067,0:00:41.092 And often, I'm not even quite sure where it is. 0:00:41.092,0:00:46.032 Artù, let's shut the last one and we'll be done. 0:00:46.032,0:00:48.020 So... 0:00:48.020,0:00:51.075 First the inside flaps... 0:00:51.075,0:00:58.064 Scotch tape is here. 0:00:58.064,0:01:02.075 Artù, you bet I make it at the first go? 0:01:02.075,0:01:04.092 No. 0:01:04.092,0:01:14.031 She sings: Coming Round Again 0:01:14.031,0:01:27.043 Song: Coming Round Again 0:01:27.043,0:01:42.015 Clapping 0:01:42.015,0:01:44.079 (voice synthesis) I miss you a lot too. 0:01:44.079,0:01:50.007 This morning I went to the beach, it seemed I was smelling your perfume. 0:01:50.007,0:01:56.007 I turned round abruptly, and for an instant I had the illusion that ou were here. 0:01:56.007,0:01:59.040 (voice synthesis) I was on the other side of the world, Lauda. 0:01:59.040,0:02:03.020 (voice synthesis) It's difficult for me too, I feel I can't manage 0:02:03.020,0:02:06.043 to give you what you need. 0:02:06.043,0:02:09.024 I want to hear the sound of your voice. 0:02:09.024,0:02:11.068 Can we hear each other by phone? 0:02:11.068,0:02:14.000 She's not here yet. You know what? 0:02:14.000,0:02:17.068 I'll finish the audio book I started three days ago. 0:02:17.068,0:02:21.047 Rather than an audio book, it's one of the old radio dramas made by RAI 0:02:21.047,0:02:24.096 before it became the slave of the government. 0:02:24.096,0:02:28.063 Did I tell you that, Artù? It's called "The Glass Menagerie". 0:02:28.063,0:02:32.012 Written by Tennessee Williams, an American playwright. 0:02:32.012,0:02:34.080 The main character limps, and instead of going 0:02:34.080,0:02:37.091 to the typing lessons her mother registered her for, 0:02:37.091,0:02:41.012 she spends all her time in the park or at the movies. 0:02:41.012,0:02:44.015 Happy she. Her name is Laura, eh? 0:02:44.015,0:02:46.043 Do you understand what nice couple we are, I and this Laura? 0:02:46.043,0:02:48.036 She limps, and I'm blind. 0:02:48.036,0:02:53.008 "Glass menagerie", because of the glass knickknacks she keeps on her coffee table. 0:02:53.008,0:02:56.056 Another coincidence. I hadn't noticed it! 0:02:56.056,0:03:01.028 Artù, let's go and listen how this story ends. Let's go. 0:03:01.028,0:03:05.052 You teach him to say "Sorry, please, thank you." 0:03:05.052,0:03:07.036 Behave, Artù. 0:03:07.036,0:03:11.056 Is it your car? Don't you know parking on the pedestrian crossing is forbidden? 0:03:15.059,0:03:19.052 You went to the tobacconist's for a minute? And thus you are justified? 0:03:19.052,0:03:21.036 You mustn't park on the pedestrian crossing. 0:03:21.036,0:03:23.071 The dog is trained to guide me to the pedestrian crossing. 0:03:23.071,0:03:26.056 If you cover them with your car, tell me what it can see? 0:03:26.056,0:03:30.040 And what should I do? Stay here for the whole day because you must go to the tobacconist's for a minute? 0:03:30.040,0:03:34.003 And what if a wheelchair must get by? How can the person manage? 0:03:34.003,0:03:36.031 I am exaggerating? 0:03:36.031,0:03:43.000 It's nothing? 0:03:43.000,0:03:46.008 Putting the helmet on ten minutes before the accident 0:03:46.008,0:03:49.003 that changes your life... Food for thought. 0:03:49.003,0:03:54.003 I put it on exactly ten minutes before I flew off. 0:03:54.003,0:03:57.047 I'd just taken it out of the box. 0:03:57.047,0:04:08.043 I was shutting and... LOUD NOISES 0:04:08.043,0:04:21.004 LOUD RHYTHMICAL MUSIC 0:04:21.004,0:04:23.051 I can no longer go out when I want to. 0:04:23.051,0:04:28.007 I can no longer decide: "I'm fed up, I'm leaving." 0:04:28.007,0:04:31.019 I can no longer read with my eyes 0:04:31.019,0:04:36.043 a good novel, but neither an ad for a washing-up liquid. 0:04:36.043,0:04:42.024 And no text-to-speech will read me the things I wrote by hand. 0:04:42.024,0:04:46.072 I won't be able to see Rome anymore... And here I should stop. 0:04:46.072,0:04:49.083 What else do you want to say? Rome.... 0:04:49.083,0:04:53.027 I never missed an exhibition. 0:04:53.027,0:04:56.087 Escher, Dalì, Artemisia Gentileschi. 0:04:56.087,0:05:01.048 Caravaggio... And who can forget those bodies. 0:05:01.048,0:05:05.063 Those lines, those colors... 0:05:05.063,0:05:08.036 Those emotions. 0:05:08.036,0:05:15.007 I'd enter a church, or a museum, and I lost myself in all this beauty. 0:05:15.007,0:05:27.007 I lost myself. 0:05:27.007,0:05:30.039 (With a Roman accent:) Are we making a comedy? Are you joking? 0:05:30.039,0:05:34.063 Artù, let's make a comedy! And how should I call it? 0:05:34.063,0:05:37.031 Why can't I call it a comedy? 0:05:37.031,0:05:40.031 Theater show or drama? 0:05:40.031,0:05:44.068 We might as well call it a tragedy. 0:05:44.068,0:05:47.036 Crisis - equals - danger. 0:05:47.036,0:05:50.012 Crisis - equals - opportunity. 0:05:50.012,0:05:58.016 Crisis - equals - danger. Crisis - equals - opportunity. 0:05:58.016,0:06:05.080 LOUD RHYTHMICAL MUSIC 0:06:05.080,0:06:09.043 Are you calling me about the insurance? 0:06:09.043,0:06:13.083 No, I don't intend to meet you, I don't live in Rome anymore. 0:06:13.083,0:06:18.056 How dare you call me? After such a long time! 0:06:18.056,0:06:21.075 I thought a lot about you too, you know? 0:06:21.075,0:06:25.024 I thought about you and your white Mercedes. 0:06:25.024,0:06:30.043 Every day, for all these years, your white Mercedes greets me. 0:06:30.043,0:06:34.016 Every morning, you know? 0:06:34.016,0:06:39.083 But what are you doing? You're crying? I haven't cried for a long time. 0:06:39.083,0:06:46.083 And in an instant life... Your life, mine.... 0:06:46.083,0:06:49.012 can change. 0:06:49.012,0:06:54.083 Forever. 0:06:54.083,0:06:58.024 But without life 0:06:58.024,0:07:01.031 which gave me so much 0:07:01.031,0:07:13.012 Song: Gracias a la vida 0:07:13.012,0:07:32.039 Clapping 0:07:32.039,0:08:14.092 Clapping 0:08:26.060,0:08:29.016 Good night, everybody, and thanks for being here. 0:08:29.016,0:08:31.051 I hope you enjoyed the show. 0:08:31.051,0:08:35.008 I'd like to thank Elena, who was excellent. 0:08:35.008,9:59:59.000 Subtitles by CulturAbile Onlus