WEBVTT 00:00:03.795 --> 00:00:06.465 It should come as no surprise that I'm always on the look out for 00:00:06.465 --> 00:00:10.052 dynamic, engaging, and strong female characters in pop culture 00:00:10.052 --> 00:00:14.515 and the latest fictional female representation that has everyone talking is Katniss Everdeen, 00:00:14.515 --> 00:00:18.894 the dynamic protagonist of the Hunger Games novels written by Suzanne Collins. 00:00:18.894 --> 00:00:23.466 For those unfamiliar with the trilogy, the novels are set in a future dystopian North America, 00:00:23.466 --> 00:00:25.067 in a country called Panem. 00:00:25.067 --> 00:00:29.404 The title of the book is a reference to an annual event organized by the oppressive government 00:00:29.404 --> 00:00:34.284 in which 24 children are selected at random to participate in a televised death match. 00:00:34.284 --> 00:00:40.165 In the Hunger Games, as they’re called, the children are forced to brutally murder one another until only one is left standing. 00:00:40.165 --> 00:00:45.420 For the purposes of this video, I’m going to set aside the fact that some of the analogies Collins is trying to draw 00:00:45.420 --> 00:00:51.218 to reality TV, professional sports, and war begin to fall apart when scrutinized closely. 00:00:51.218 --> 00:00:54.471 I appreciate her attempt to critically comment on social issues, 00:00:54.471 --> 00:00:57.558 I just don’t buy that parents would passively give up their children 00:00:57.558 --> 00:01:00.840 to be slaughtered on national TV without a serious fight. 00:01:00.840 --> 00:01:03.522 The death match as spectacle theme is really only believable 00:01:03.522 --> 00:01:06.567 when the players have been dehumanized or othered by society, 00:01:06.567 --> 00:01:09.319 either as convicts or slaves for example, 00:01:09.319 --> 00:01:13.490 it doesn’t work when it’s just randomly selected children from the general population. 00:01:13.490 --> 00:01:16.660 That said, in this video I’m going to focus mainly on the 00:01:16.660 --> 00:01:20.778 portrayal of Katniss’ character in the first book and the movie adaptation. 00:01:20.778 --> 00:01:26.112 I thought the first The Hunger Games novel, published in 2008 was a captivating, engaging and riveting read 00:01:26.112 --> 00:01:30.215 and I really enjoyed being immersed in the science fiction world that Collins creates. 00:01:30.215 --> 00:01:35.095 If you haven’t read the book or seen the movie yet [spoilers] fair warning. 00:01:35.095 --> 00:01:40.475 The story follows Katniss, a 16 year old from a poor, coal mining community in district 12. 00:01:40.475 --> 00:01:44.125 She struggles to provide for her family in the absence of her father 00:01:44.125 --> 00:01:46.795 and later to survive the brutality of the Hunger Games. 00:01:46.795 --> 00:01:50.485 She is a tough, no-nonsense, responsible, young woman 00:01:50.485 --> 00:01:55.699 who uses her smarts to support her family in an oppressive, and seemingly hopeless situation. 00:01:55.699 --> 00:01:57.648 Katniss is not reduced to her gender, 00:01:57.648 --> 00:02:01.358 meaning her behaviours and actions aren’t attributed to her being a woman, 00:02:01.358 --> 00:02:04.655 she is not sexualized and she is not objectified in the book. 00:02:04.655 --> 00:02:09.702 Her real world concerns and priorities of family and survival are put in sharp contrast 00:02:09.702 --> 00:02:13.300 to the superficial values imposed on her by the Capitol government 00:02:13.300 --> 00:02:16.595 as she is being groomed for the Hunger Games media spectacle. 00:02:16.595 --> 00:02:21.725 These preparation scenes provide a critique of the beauty industry and also of the decadence of the wealthy 00:02:21.725 --> 00:02:27.064 in contrast to poor and working class districts who can barely afford enough food to feed their families. 00:02:27.064 --> 00:02:32.069 Katniss demonstrates empathy and compassion for those around her including her friends, family, 00:02:32.069 --> 00:02:35.030 and those oppressed and underprivileged in Panem. 00:02:35.030 --> 00:02:40.410 Later in the arena she also builds a trusting and supportive relationship with Rue, the young tribute from district 11. 00:02:40.410 --> 00:02:45.499 Later, when Rue is tragically killed, Katniss treats her death with honor and respect. 00:02:45.499 --> 00:02:48.710 The romance elements of the first book were only slightly grating, 00:02:48.710 --> 00:02:52.214 much of it was Katniss’ uncertainty about Peeta’s feelings for her 00:02:52.214 --> 00:02:55.801 and her confusion about whether he was being genuine or just acting. 00:02:55.801 --> 00:03:02.683 It was clear Collins was setting up a love triangle between Peeta, Katniss and Gale ala Edward, Bella and Jacob. 00:03:02.683 --> 00:03:07.521 This is nothing new in novels targeted at girls and women and I could look past the cliché of it 00:03:07.521 --> 00:03:10.148 since it wasn't central to the plot in the first book. 00:03:10.148 --> 00:03:13.719 Katniss' naivety when it came to dating and relationships make sense 00:03:13.719 --> 00:03:17.056 given her age and her difficult economic, social and family life, 00:03:17.056 --> 00:03:20.935 her naivety and confusion is an understandable part of her character's growth, 00:03:20.935 --> 00:03:27.692 but only in the first part of the trilogy, unfortunately the love triangle takes a much more prominent role in books 2 and 3. 00:03:27.692 --> 00:03:32.405 There’s been some understandable criticism of the rather extreme levels of violence in the novel, 00:03:32.405 --> 00:03:34.990 especially considering it’s marketed to young adults. 00:03:34.990 --> 00:03:40.621 I think this is a fair point however the way Katniss perceives and uses violence makes her somewhat unique. 00:03:40.621 --> 00:03:44.542 Especially in comparison to other so called “strong female characters” 00:03:44.542 --> 00:03:48.963 whose strength often stems from their ability and willingness to use violence. 00:03:48.963 --> 00:03:53.780 Although, Katniss does possess the hunting and tracking skills to survive in the harsh terrain of the arena, 00:03:53.780 --> 00:03:58.055 she remains troubled and disturbed at the idea of personally murdering another human being 00:03:58.055 --> 00:04:00.982 even within the context of the death match. 00:04:00.982 --> 00:04:05.445 Admirably she can’t bring herself to wish death on her opponents or even her enemies. 00:04:05.445 --> 00:04:09.240 Knowing full well that if they remain alive she can never return home. 00:04:09.240 --> 00:04:14.036 These moments illustrate that Katniss hasn’t become completely desensitized to violence and suffering 00:04:14.036 --> 00:04:18.124 even though she’s forced to participate in a horrifically violent system. 00:04:18.124 --> 00:04:23.129 That said, I do wish Collins was more consistent in writing Katniss’ responses to death. 00:04:23.129 --> 00:04:27.550 When Rue is killed the event is written as deeply traumatic and emotional for Katniss. 00:04:27.550 --> 00:04:33.222 Katniss is not made to run off seeking revenge, but allowed to mourn in a really human way. 00:04:33.222 --> 00:04:36.392 We follow along as she struggles through the process of grief. 00:04:36.392 --> 00:04:40.563 She appropriately feels shock, pain, guilt and temporary depression. 00:04:40.563 --> 00:04:48.058 To Collins’ credit, she writes this emotional process as a testament to Katniss’ strength as opposed to a weakness. 00:04:48.058 --> 00:04:53.697 Yet when Foxface is accidently yet tragically killed via poisonous berries, Katniss doesn’t even bat an eye. 00:04:53.697 --> 00:04:56.284 She shows no emotional reaction whatsoever 00:04:56.284 --> 00:05:00.663 despite the fact that this young tribute from district 5, hasn’t hurt anyone during the games. 00:05:00.663 --> 00:05:04.626 Although, Katniss doesn’t have a personal relationship with Foxface, her death 00:05:04.626 --> 00:05:07.295 should still be represented as tragic and upsetting. 00:05:07.295 --> 00:05:10.213 It should go without saying that in reality, violence is 00:05:10.213 --> 00:05:14.509 traumatic and it has very real and lasting consequences for everybody involved. 00:05:14.509 --> 00:05:17.136 So I’m not arguing for stories to be completely free of violence, NOTE Paragraph 00:05:17.136 --> 00:05:23.476 but I am arguing for violence to be portrayed consistently and to reflect its emotional and physical repercussions. 00:05:23.476 --> 00:05:29.565 In a media culture that sensationalizes and glamorizes violence, it’s refreshing to see a character like Katniss, 00:05:29.565 --> 00:05:34.237 react to violence in a more honest and genuine way, at least most of the time. 00:05:34.237 --> 00:05:38.282 I appreciate that Collins doesn’t have Katniss emerge from the arena unscathed. 00:05:38.282 --> 00:05:42.787 She experiences serious physical and emotional consequences and by the end of the games, 00:05:42.787 --> 00:05:45.665 her sense of safety and trust have been shattered. 00:05:45.665 --> 00:05:51.170 When the game makers announce that there can only be one victor after all Peeta throws his knife away in protest 00:05:51.170 --> 00:05:57.104 and Katniss’ automatically assumes that he’s about to attack her, so she loads her bow and aims an arrow at his heart. 00:05:57.104 --> 00:06:00.030 Later when the Capitol doctors are operating on Peeta, 00:06:00.030 --> 00:06:03.928 Katniss has a panic attack, and believes for a moment she’s back in the arena. 00:06:03.928 --> 00:06:08.057 She imagines the medical staff as a pack of muttations attacking her friend. 00:06:08.057 --> 00:06:13.020 These examples are evidence of the delusion and paranoia that Katniss understandably suffers 00:06:13.020 --> 00:06:17.404 as a result of the extreme trauma she experienced during the Hunger Games. 00:06:17.404 --> 00:06:19.948 These scenes help to separate her from many of the so called 00:06:19.948 --> 00:06:23.201 strong female characters in popular culture who just replicate 00:06:23.201 --> 00:06:27.497 the stoic, unemotional, unaffected, macho archetype where somehow they 00:06:27.497 --> 00:06:31.126 go through extreme violence and trauma with no visible effect at all. 00:06:31.126 --> 00:06:35.046 So it's refreshing that Katniss is allowed to go through a period of post traumatic stress 00:06:35.046 --> 00:06:40.844 and that the emotional experience ultimately works to make her a stronger character, rather than a weaker one. 00:06:40.844 --> 00:06:44.014 Some people have been asking is Katniss then a feminist character? 00:06:44.014 --> 00:06:48.643 Because of her compassion, empathy, cunning, resourcefulness and intelligence, 00:06:48.643 --> 00:06:53.231 I think she embodies many feminist values, at least over the course of the first book. 00:06:53.231 --> 00:06:56.735 In my next video I'll talk about the movie in comparison to the book, 00:06:56.735 --> 00:07:00.030 especially in relation to its portrayal of gender and also violence. 00:07:00.030 --> 00:07:03.950 Whenever a novel is turned into a film, there are going to be some major differences, 00:07:03.950 --> 00:07:07.662 and I'll discuss which of those changes were successful and which were not. 00:07:07.662 --> 00:07:09.664 So be sure to check it out. 00:07:09.664 --> 00:07:16.187 The Hunger Games fan art I used in this video was made by these amazing illustrators. 00:07:16.187 --> 00:07:21.509 If you liked this video and want to see more in depth analysis of female characters in popular culture 00:07:21.509 --> 00:07:24.137 please support me and my work by donating today. 00:07:24.137 --> 00:07:26.780 You can visit feministfrequency.com/donate